This section gives advice on the following topics:
The twenty third note we learn, E flat in the second octave on the bass recorder, lies on the second leger line above the bass clef. The enharmonic equivalent is D sharp which has the same fingering. Click on the play button in the Sibelius score to hear it. Below that we give the standard fingering for this note, the fingering you would use under normal circumstances.
Using the standard nomenclature, the fingering for second octave E flat, or for the enharmonic equivalent D sharp, is written X 1 2 5 6a 6b, where X indicates a pinched thumb or vented thumbhole. An alternative fingering for second octave E flat, where hole 7 is covered, is written X 1 2 5 6a 6b 7a 7b.
E flat is one of the least troublesome of the the group of notes from C in the second octave to F in the third octave, top F. If you do have a problem review the technique we discussed in lesson 20 by clicking here.
The best note to start from is D and then dropping the second and third fingers of the right hand on to the recorder you should be able to slur neatly to E flat, if you slightly increase your blowing pressure for the E flat. If the note sounds sharp on your recorder try the alternative fingering given above which uses the second, third and fourth fingers of the right hand instead. If this is slightly too flat try covering only one of the two small holes or key touch pieces with the fourth finger of the right hand which will give you a E flat lying between those produced by the two fingerings given in the chart above. Once you have identified the best fingering try the sequence but this time tongue each note. Make sure that you have a small thumbhole opening, that you tongue crisply and that you are 'feeding' sufficient air into your recorder to keep the E flat sounding clearly and at the correct pitch.
Once you are happy with the note E flat try piece no 23.