| Name | Born | Died | Information |
| B. (de), Mlle | fl. late 17th century | | composer of songs and airs who published in Paris in 1696 |
| Baal, Johann | 1657 Germany | 1701 Bamburg | German violinist and composer |
Baán, Jozef more... | 1964 Bratislava, Slovakia | | Czech composer |
Baaren, Kees van more... | 22 Oct. 1906 Enschede, The Netherlands | 2 Sep. 1970 Oegstgeest, The Netherlands | composer whose works include Variations for orchestra, a piano concerto and a wind quartet |
Babadjanian (or Babadzhanyan), Arno more... | 22 Jan. 1921 Yerevan, Armenia | 15 Nov. 1983 Yerevan, Armenia | his father was an accomplished folk musician, capable of a variety of folk instruments. During childhood, Babadjanian witnessed the Westernisation of music in Armenia: with the creation of the Armenian Philharmonic and the Union of Armenian Composers was formed in 1932; the opening of the Opera Theatre in Yerevan in 1933; and the première of Arno Babadjanian’s Symphony No. 1 in 1934. Babadjanian’s first formal lessons were at the Yerevan Conservatory with Vardkes Talian (1896-1947). Talian instilled a sense of Armenian musical history in Babadjanian by insisting that his young student study the folk traditions of his country, in addition to the music of the great Armenian composer and ethnomusicologist, Vartabed Komitas (1869-1935). He studied piano with Konstantin Igumnov (1873-1948) at the Moscow Conservatory |
| Babán, Gracián | c. 1620 Spain | 2 Feb. 1675 Spain | Spanish composer |
| Babayev, Andrei | 27 Dec. 1923 Azerbaijan | 21 Oct. 1964 Moscow, Russia | Russian composer |
| Babbi, (Pietro Giovanni) Cristoforo (Bartolomeo Gasparre) | 6 May 1745 Cesena | 19 Nov. 1814 Dresden | Italian violinist and composer |
| Babbi, Gregorio | c. 1770-75 | c. 1815 | Italian bass singer, violinist, composer, and organist |
Babbitt, Milton more... | 10 May 1916 Philadelphia, USA | | trained as a mathematician; his music is highly abstract, including the use of electrophonics |
Babekov, Stoyan more... | 16 Oct. 1936 Sofia, Bulgaria | | Bulgarian composer and conductor |
| Babell, Charles | fl. 1707-1714 | | known primarily as an editor of musical collections |
| Babell, William | c. 1690 Canonbury, England | 23 Sep. 1723 Canonbury, London | English composer and organist, his father and Dr. Pepusch being among his teachers. From some time after 1710, a musician in London concert halls 1718-23: Organist of All Hallows, Bread Street (London). Extant works include The Third Book of the Ladys Entertainment (1709); The Fourth Book of the Ladys Entertainment (1716); The Harpsichord Master Improved (1718) |
| Babin, Victor | 13 Dec. 1908 Moscow, Russia | 1 Mar. 1972 Cleveland, OH, USA | pianist, in particular as a duo with his wife Vitya Vronsky (b. 22 Aug. 1909, Russia; d. 28 Jun. 1992, Cleveland, OH, USA); compositions include a concerto for two pianos |
Baboni Schilingi, Jacopo more... | 4 Apr. 1971 Milan, Italy | | Italian composer, now resident in both France and Italy, of mostly chamber, vocal, piano and electroacoustic pieces |
| Babou, Thomas | 12 Feb. 1656 | c. 1740 | French organist and composer |
Baca-Lobera, Ignacio more... | 28 Jun. 1957 Mexico City, Mexico | | Mexican composer of mostly orchestral, chamber and electroacoustic works |
Bacalov (Bacalof), Luis more... | 30 Mar. 1933 San Martin, Argentina | | composer of over 112 Argentinean and American film scores including those for Il Postino and The Love Letter |
| Bacarisse, Salvador | 12 Sep. 1898 Madrid, Spain | 5 Aug. 1963 Paris, France | Spanish conductor and composer, a member of the Group of Madrid, who left Spain during the Spanish Civil War to live and work in France |
| Baccelli, Matteo Pantaleone [Papia Leone] | 1690 Lucca, Italy | c. 1760 Lucca, Italy | Italian composer |
| Bacchini, Girolamo M. [Fra Teodoro del Carmine] | fl. 1588-1605 | | Italian singer, composer, and theorist |
| Bacchius (Bacchus, Bachus, Bachi, Bachy), Johannes de | | before 29 Jan. 1557 | composer, possibly French |
| Bacchus, Z | late nineteenth century | | composer of Dr. Hekok Jig a violin solo taken from Dan Emmett's manuscript tune book of American Minstrel Show tunes |
Bacchylides more... | c.507 BC Ceos, Greece | after 452 BC | ancient Greek lyric poet, composer, choreographer and impressario |
| Baccusi, Ippolito | c. 1550 | 1609 | Italian composer |
Bacevicius, Vytautas more... | 9 Sep. 1905 Lodz, Poland | 15 Jan. 1970 New York, USA | one of the leading Lithuanian composers of the interwar period advocating modern composition techniques. After the outbreak of the WWII, Bacevicius settled in the USA in 1940. He taught at the New York and Brooklyn conservatoires, as well as Long Island Music Institute, wrote articles and gave lectures. In 1942 he established a private piano studio |
Bacewicz, Grazyna more... | 5 Feb. 1909 Lodz, Poland | 17 Jan. 1969 Warsaw, Poland | violinist and composer sister of Vytautas Bacevicius. Her compositions include 4 symphonies, a cello concerto, 4 violin concertos, 4 string quartets |
| Bach family (see listing) | | | |
Bach, August Wilhelm more... | 4 Oct. 1796 Berlin, Germany | 15 Apr. 1869 Berlin, Germany | German organist, teacher and composer who succeeded Zelter as director of the Institute for Church Music (1832). He was Felix Mendelssohn-Bartholdy's organ teacher. He is, however, unrelated to the famous Bach family |
| Bach, Carl Philipp Emanuel (see Bach, Karl Philippe Emanuel) | | | |
Bach, Christoph more... | 19 Apr. 1613 Arnstadt, Germany | 12 Sep. 1661 Eisenach, Germany | German organist and composer, grandfather of JS Bach who left several distinguished pieces for organ |
Bach, Georg Christoph more... | before 8 Sep. 1642 Eisenach, Germany | 24 Apr. 1697 | German composer, eldest son of Christoph Bach, he held the post of Kantor at Schweinfurt. His motet, Siehe, wie fein und lieblich, for two tenors and bass, accompanied by violin, three 'celli, and continuo, is in the Bach Archives |
| Bach, Georg Friedrich | 17 Mar. 1793 | 2 Oct. 1860 | German flautist, music teacher, music director, theorist, and composer |
| Bach, Heinrich | 16 Sep. 1615 | 10 Jul. 1692 Arnstadt, Germany | German organist and composer. Third son of Hans Bach, brother of Johann Bach and Christoph Bach. From 1641, organist of Arnstadt church a post he held for 51 years, until his death. He left organ pieces, and hymn-tunes in manuscript |
Bach, Jan (Morris) more... | 11 Dec. 1937 Forrest, Illinois, USA | | American composer who studied with Roberto Gerhard, Aaron Copland, Kenneth Gaburo, Robert Kelly, and Thea Musgrave |
| Bach, Johann | 1621 | 12 Sep. 1686 | German Kantor, composer, and minister |
| Bach, Johann(es) (Hans) | 26 Nov. 1604 Weimar, Germany | 13 May 1673 Erfurt, Germany | German organist and composer, son of Hans Bach II (born: Weimar 1626) |
Bach, Johann Bernhard more... | 25 Nov. 1676 Erfurt, Germany | 11 Jun 1749 Eisenach, Germany | Johann Bernhard studied briefly with his second cousin Johann Sebastian in Weimar, later becoming organist and court musician in Eisenach, the city of that cousin's birth. His excellent instrumental oeuvre is very much in the style of Telemann. Johann Sebastian performed four of his instrumental suites with his Collegium Musicum in Leipzig. Johann Bernhard was the father of Johann Ernst who became his colleague during the last year of his life |
| Bach, Johann Bernard | 24 Nov. 1700 | 12 Jun. 1743 | German organist and composer |
Bach, Johann (John) Christian more... | 5 Sep. 1735 Leipzig, Germany | 1 Jan. 1782 London, England | J.S. Bach's eleventh son, for a time organist at Milan Cathedral; as music master to the family of George III, J.C. Bach became known as 'The English Bach', he wrote operas, symphonies and works for keyboard, also successfully promoting concerts in London with Abel, the viola da gamba virtuoso. He also influenced the young 8 year-old Mozart on his visit to London |
Bach, Johann Christoph I more... | 6 Dec. 1642 Arnstadt, Germany | 31 Mar. 1703 Eisenach, Germany | cousin of J.S. Bach's father; he wrote music appreciated by both J.S. and C.P.E. Bach, including motets on religious themes and works for keyboard. One of his finest works is a lament, Ach, dass ich Wassers g'nug hätte, with an accompaniment written for a consort of viols |
| Bach, Johann Christoph II | 16 Jun. 1671 Eisenach, Germany | 22 Feb. 1721 Ohrdruff, Germany | composer and organist. Brother of J.S. Bach who studied in Erfurt with Johann Pachelbel and went on to become assistant to Hans Bach in Arnstadt. He was appointed organist at Ohrdruff, a position he held for the rest of his life. J.S. Bach took clavichord lessons with him. |
Bach, Johann Christoph Friedrich more... | 21 Jun. 1732 Leipzig, Germany | 26 Jan. 1795 Bückeburg, Germany | J.S. Bach's ninth son; he wrote chamber music, concertos, symphonies and keyboard works |
Bach, Johann Ernst (of Arnstadt) more... | 5 Aug. 1683 Arnstadt, Germany | 21 Mar. 1739 | composer and organist |
Bach, Johann Ernst more... | 30 Jan. 1722 Eisensach, Germany | 1 Sep. 1777 Eisenach | studied law at Leipzig for six years, returning to Eisenach and practicing as advocate. In 1748 was appointed assistant to his father, Johann Bernard, organist of St. George's church; in 1756, appointed honorary Kapellmeister at Weimar, with pension. Published compositions include sonatas for clavecin with violin., etc; many others exist in manuscript |
| Bach, Johann Friedrich | c. 1682 | buried 8 February 1730 | a German organist and composer |
| Bach, Johann Jacob | 1682 possibly Eisenach, Germany | 1732 | a German musician, composer and an older brother of Johann Sebastian Bach |
| Bach, Johann Lorenz | 10 Sep. 1695 Schweinfurt, Germany | 14 Dec. 1773 Lahm, Germany | organist and composer; one of J. S. Bach's cousins who studied with J. S. who was at that time court organist and court harpsichordist at Weimar |
Bach, Johann Ludwig more... | 4 Feb. 1677 Thal, Germany | bur. 1 Mar. 1731 | Johann Sebastian's second cousin was Kapelldirektor and court cantor in Meiningen. For this reason he is called "Meiningen Bach." in 1726, Johann Sebastian performed eighteen of his cousin's church cantatas, which like all his music is a fusion of Italian and German styles |
| Bach, Johann Michael I | baptised 9 Aug. 1648 Arnstadt, Germany | 17 May 1694 Gehren, Germany | German composer and distant relative of J.S. Bach, he was taught by his father and in 1665 became organist at Arnstadt castle, to be succeeded by J.S. Bach himself. His finest works are his motets although he wrote over 70 organ chorales, choral concerts and many instrumental works |
| Bach, Johann Michael II | 9 Nov. 1745 Struth, Germany | 1820 Elberfeld, Germany | organist and composer, who appears to be unrelated to the Bachs listed above |
Bach, Johann Nicolaus more... | 10 Oct. 1669 Eisenach, Germany | 4 Nov. 1753 Jena, Germany | organist and composer, son of Johann Christoph I |
Bach, Johann Sebastian more... | 21 Mar. 1685 Eisenach, Germany | 28 Jul. 1750 Leipzig, Germany | virtuoso instrumentalist, particularly on organ and harpsichord - he was probably one of the greatest exponents of these two instruments of his day; a prolific composer of instrumental, vocal, church and keyboard music of an extraordinarily high quality, but which proved to be the apogee of a contrapuntal style that was soon to be swept away by the musical style developed by his sons and adopted by their contemporaries |
| Bach, Johannes | 1612 | Dec. 1632 | |
| Bach, Karl (Carl) Philipp Emanuel | 8 Mar. 1714 Weimar, Germany | 14 Dec. 1788 Hamburg, Germany | J.S. Bach's third son; for 28 years at the court of Frederick the Great (C.P.E. accompanied his father on the occasion of the first performance of Bach's extemporisation on a 'musical subject' offered by Frederick, and which Bach later presented to Frederick entitled the Musical Offering; modern scholars believe the theme rather than being an invention of the King, was actually composed either by C.P.E. Bach or J.S. himself. C.P.E. Bach has left us detailed written evidence of performance practices of his day, as well as being the chief founder of the new sonata-symphony style which became, in the hands of Haydn and Mozart, what we call today the Classical style |
| Bach, Leonhard Emil | 11 Mar. 1849 Poznan, Poland | 15 Feb. 1902 London, England | Polish composer |
Bach [Bachtischa], Michael more... | 1958 Germany | | German cellist and composer who writes using the pseudonym 'Michael Bach Bachtischa' |
Bach, P.D.Q. (see Schickele, Peter) more... | | | |
| Bach, Wilhelm Friedemann | 22 Nov. 1710 Weimar, Germany | 1 Jul. 1784 Berlin, Germany | J.S. Bach's second son, principally known as a harpsichordist; he wrote numerous keyboard works, 9 symphonies and church cantatas but died in poverty |
Bach, Wilhelm Friedrich Ernst more... | 27 May 1759 | 25 Dec. 1845 | son of Johann Christoph Friedrich Bach who was one of J.S. Bach's sons, the last musically notable member |
Bacharach, Burt more... | 12 May 1928 Kansas City, Mo. USA | | pianist and highly successful song writer. Along with a great many hit songs, this composer has won three Academy Awards; one for the song Raindrops Keep Falling On My Head; one for the film score to Butch Cassidy and the Sundance Kid, and one for the title tune to Arthur. His song Don't Make Me Over made singer Dionne Warwick a superstar, while his score for the Broadway play Promises, Promises gave a Tony Award to Jerry Ohrbach as best actor in a musical play |
| Bache, Francis Edward | 14 Sep. 1833 Birmingham, England | 24 Aug. 1858 Birmingham, England | pianist and composer whose early death disappointed those expecting notable developments |
| Bacheler (or Batchelar), Daniel | c. 1574 Aston Clinton, England | 1619 Lee, Kent, England | English lutenist and composer whose composition date from 1588. Thestyle of some of his lute solos suggests that he was still composing in the last years of his life. More than 50 lute solos survive, in manuscript form. Some of his pieces require considerable technical skill, and he was one of the first lutenists to explore the lower sonorities of the instrument, occasionally taking a melody down to the fourth and fifth courses. He was probably the first English lutenist to play unmeasured preludes. His best known composition is probably Monsieur’s Almain |
| Bachelet, Alfred | 26 Feb. 1864 Paris, France | 10 Feb. 1944 Nancy, France | French composer |
Bachmann, Arthur Marc more... | 27 Mar. 1961 Calgary, Canada | | Canadian violist and composer |
| Bachmann, Elise | 1838 Germany | | composed and published a melodrama, songs and piano pieces in the popular style |
| Bachmann, Judith | fl. late 18th century | | an exceptionally fine pianist whose compositions were published in Austria in 1796 |
| Bachmann, Sixt [Joseph Siegmund Eugen] | 18 Jul. 1754 Ketterhausen, Germany | 18 Oct. 1825 Reutlingendorf, Germany | German composer. A child prodigy, he took part in an organ contest with the young W.A. Mozart in 1766; both emerged with credit. He later became a priest in Ober Marchthal, where he taught music and composed keyboard, sacred and other works |
| Bachofen, Johann Caspar [Hans Kaspar] | 26 December 1695 | 23 June 1755 | Swiss composer and music pedagogue |
| Bachrich, Sigmund [Sigismund] | 23 Jan. 1841 Zsambokreth | 16 Jul. 1913 Vienna, Austria | Austrian composer |
| Bachschmidt (or Bachschmid), (Johann) Anton (Adam) | 11 Feb. 1728 Melk, Nieder-Österreich, Austria | 29 Dec. 1797 Eichstätt | a composer known chiefly for his sacred music although he also wrote a number of fine early-classical concertos |
| Bacilieri, Giovanni | (fl. 1607-19) | | Italian composer |
| Bacilly, Bénigne de | c. 1625 | 27 Sep. 1690 | French singing teacher, composer and theorist |
| Back, Konrad | 23 Jun. 1749 | 10 Apr. 1810 | South German monastic musician and composer |
| Bäck, Sven-Erik | 16 Sep. 1919 Stockholm, Sweden | | pupil of Petrassi; works include a symphony for strings, a sonata for solo flute and an opera entitled Crane Feathers |
Backer-Gröndahl, Agathe Ursula more... | 1 Dec. 1847 Holmestrand, Norway | 4 Apr. 1907 Ormoen, Norway | Norwegian pianist, pupil of von Bülow; composer of songs and piano music |
| Backer-Gröndahl, Fridtjof | 1885 Oslo, Norway | 1959 Oslo, Norway | son of the above, Norwegian pianist and composer |
| Bäckström, Ola | 1959 Ore, Sweden | | fiddler and composer, a member of the folk group SWÅP |
Bacon, Ernst more... | 26 May 1898 Chicago, USA | 16 Mar. 1990 Orinda, California, USA | conductor and musical journalist; composer of symphonies, theatre music and song |
Bacri, Nicolas more... | 23 Nov. 1961 Paris, France | | French composer, former winner of the Prix de Rome |
Baculewski, Krzysztof more... | 1950 Warsaw, Poland | | Polish composer and musicologist. He studied composition under the direction of Witold Rudzinski at the Warsaw Academy of Music and he graduated in 1974. Then he continued his studies in Vienna and in Paris, where he focused on composition and music analysis under Olivier Messiaen's direction, and studied electronic music at the Groupe de Recherches Musicales |
| Badajoz, Manolo de | 1892 Badajoz, Spain | 1962 Madrid, Spain | his full name - Manuel Alvarez Sorubet, a gipsy flamenco guitarist |
| Badajóz el músico [Joao de Badajos] | fl. c. 1520 | | Spanish or Portuguese composer and poet |
Badalamenti, Angelo more... | 22 Mar. 1937 New York, USA | | composer of film music, particularly working with David Lynch |
| Badalbeyli, Afrasiyab | 1907 | 1976 | contributed to the development of music theatre in Azerbaijan. He wrote the first ballet Qiz Qalasi or Maiden's Tower (1940) |
Badalla, Rosa Giacinta more... | c. 1660 Bergamo, Italy | c. 1715 Milan, Italy | Italian composer of motets for the Monaca di S. Radegonda in Milan where she was based. Her music was published in Venice in 1684 |
| Badarzewska-Baranowska, Tekla | 1834 Warsaw, Poland | 29 Sep. 1861 Warsaw, Poland | composer of songs and 34 piano pieces, including the very popular composition for piano, The Maiden's Prayer |
Badelt, Klaus more... | 1968 Frankfurt, Germany | | film composer Klaus Badelt gained recognition in his native Germany for scoring dozens of films and commercials. In 1998, he accepted Oscar-winner Hans Zimmer's invitation to relocate to Santa Monica, USA in order to work at Media Ventures. He has since collaborated with Zimmer on scores for Gladiator, The Thin Red Line, The Prince of Egypt, Mission: Impossible 2, Hannibal and Pearl Harbor. In addition, he has also completed a variety of independent projects, including K-19: The Widowmaker, The Recruit and Basic |
Baden, (Peter) Conrad (Krohn) more... | 31 Aug. 1908 Drammen, Norway | 11 Jun. 1989
| the son of Olaf Jørgensen, organist in Strømsø Church, Conrad Jørgensen later assumed the older family name of Baden. He trained in Oslo as an organist and later as a composer at the Leipzig Academy studying with Günter Raphael and Kurt Thomas. Later he studied also with Per Steenberg, Bjarne Brustad and in 1950 he travelled to Paris, to study under Jean Rivier and attended classes in composition under Honegger. Baden was also active as a writer. He was music critic for the newspapers Drammens Tidende, Vårt Land and Morgenbladet, as well as contributing editor to Nordisk Musikkkultur, Norsk Kirkemusikk and Norsk Musikktidskrift |
| Badia, Carlo Agostino | 1672 possibly Venice, Italy | 23 Sep. 1738 Vienna, Austria | Italian composer noted for his operas |
Badian, Maya more... | 1945 Bucharest, Romania | | Romanian composer now living in Canada. Her diversified output includes more than eighty major compositions for orchestra, for soloist(s) with orchestra, for choir, music for instrumental and vocal ensembles of various combinations, and works for multimedia |
Badings, Henk more... | 17 Jan. 1907 Bandoeng, Indonesia | 26 Jun. 1987 Maarheeze, The Netherlands | trained as an engineer; prolific composer of music for orchestra, chamber ensemble, piano and organ |
| Badinski, Nikolai | 19 Dec. 1937 | | Bulgarian composer |
| Baena, Lope de | fl. c. 1475-c.1508 | &nbs; | Spanish composer |
| Baer, Abel | 10 Mar. 1893 Baltimore, Maryland | 5 Oct. 1976 New York, NY | composer and lyricist, was most active during the 1920s into the 1940s and whose most famous song is There Are Such Things (1942) |
Baert, Bernard more... | 10 Apr. 1963 Waregem, Belgium | | Belgian pianist and composer |
| Baervoets, Raymond | 6 Nov. 1930 | | Belgian composer |
Baes, Jonas more... | 1961 Los Banos, The Philippines | | Philippine ethnomusicologist, writer and composer |
Baeyens, August Louis more... | 5 Jun. 1895 Antwerp, Belgium | 17 Jul. 1966 Antwerp, Belgium | Belgian composer |
Baez, Joan more... | 9 Jan. 1941 Staten Island, NY, USA | | American composer and performer of popular music |
Báez, Joan Chandos more... | 9 Jan. 1941 New York ,USA | | an American folk singer and songwriter known for her highly individual vocal style. She is a soprano with a three-octave vocal range and a distinctive throat vibrato. In addition, she is noted for her activism in the areas of nonviolence, civil and human rights and, in more recent years, the environment |
| Bagadurov (or Bagodurov, Bagaduroff), Vassili | 22 Feb. 1878 Nishi Novgorod, Russia | 10 Oct. 1954 Moscow, Russia | Russian composer and teacher of singing |
| Bagatti, Francesco [Bagati] | fl. 1658-c. 1680 | | Italian composer and organist |
| Bagge, Charles Ernest, Baron de [Bach] | 14 Feb. 1722 | 24 Mar. 1791 | French dilettante, amateur violinist, composer, patron of the arts, and instrument collector |
| Baggiani, Guido | 4 Mar. 1932 | &nbs; | Italian composer |
| Bagley, Edwin Eugene | 1857 Craftsbury, VT, USA | 1922 Keene, NH, USA | composer, particularly of military marches such as National Emblem March |
| Baglioncella, Francesca | 16th century Italy | | composer of madrigals |
| Baglioni, Girolamo | c. 1575 | 1608 | Italian composer |
| Bagni, Benedetto [Bagnius, Benedictus] | fl. 1608 | | Italian composer and organist |
| Baguer, Carlos | Mar. 1768 Barcelona, Spain | 29 Feb. 1808 Barcelona, Spain | a pupil of his uncle, Francesco Mariner who was organist of Barcelona Cathedral, Carlos succeeded him in 1786. By 1789 he had become principal organist of the Cathedral, a post he held until his death in 1808. Baguer was one of the most important musical figures in Catalonia at this time, his reputation enhanced particularly by his interpretations and improvisations on the organ. As the composer of nineteen symphonies, he is the principal symphonist of Spain during the classical era. These works show strongly the influence of Josef Haydn. In addition, his compositions include many works for keyboard, for church use, an opera (La principesa filósofa o sea El desdén con el desdén, 1797) and chamber music |
| Bahr, Johann [Bähr] | c. 1610 Germany | 3 Jun. 1670 | Swedish organist and composer |
| Baif, Jean Antoine de | 1532 Venice, Italy | 1589 Paris, France | born in Venice where his father was the French ambassador, Baif was a guitarist, composer and poet. He wrote a method for the four string guitar entitled Instrucction pur apprendre la tablature de guiterne |
Bailey, Derek more... | 29 Jan. 1932 Sheffield, England | | jazz guitarist and composer |
Bailey, Parker more... | 1 Mar. 1902 Kansas City, Missouri | 1982 USA | Bailey came to Yale College in 1919 to study with Horatio Parker, who died that year. He studied instead with David Stanley Smith from 1920 to 1925, with Quincy Porter from 1925 to 1930, and with Roger Sessions. Following his musical studies he received an LL.B degree from the Cornell Law School in 1934 and practiced law the remainder of his life. He published a number of musical works |
Bailie, Joanna more... | 1973 London, UK | | the composer writes: "my music has been changing a great deal over the last few years, mainly because of a shifting from my initial interest in New Complexity to something less stylistically definable. Exposure to Feldman, the later works of Karel Goeyvaerts and above all the music of the Italian composer Aldo Clementi resulted in a fascination with the ideas of obsessive repetition and monotony. In fact, someone once told me that they thought that Clementi's music was "an interesting shade of grey", an aesthetic that I've attempted to adopt for myself, as a kind of reaction against the ubiquitous "contrast" that dominates mainstream modernism, the idea that somehow we have to fit the entire universe of sounds into one piece." |
| Bailleux, Antoine | c. 1720 | c. 1798 | French publisher, composer, and teacher |
Baillon, Pierre-Jean more... | fl. late 18th century | | French composer, author of Nouvelle méthode de guitarre selon le sisteme des meilleurs auteurs, contenant les moyens les plus clairs et les plus aises pour apprendre a accompagner une voix et parvenir a jouer tout ce qui est propre a cet instrument (first edition 1781). An important aspect of Baillon's method is that in it we find the first reference to the use of single strings on the guitar, although he states that he prefers the sound of double courses |
Baillot, Pierre (Maire François de Sales) more... | 1 Oct. 1771 Passy, Paris, France | 15 Sep. 1842 Paris, France | virtuoso violinist pupil of Viotti who composed 9 violin concertos. Building on the pedagogical work he and his colleagues had accomplished at the Paris Conservatoire in the 1790s, he would later write one of the greatest treatises on violin playing, l'Art du violon (1834) |
| Baillou, Luigi de [Baylou, Baillon, Ballion, Ballioni, Baglioni; Louis] | c. 1735 Milan, Italy | c. 1809 Milan, Italy | Italian violinist and composer |
| Bailly, Henri le | date unknown France | 1637 Paris, France | one of the senior musicians (singer-composers), in the service of the French Kings Henri IV (r. 1589-1610) and Louis XIII (r. 1610-1643), who composed in the style that dominated secular vocal music in France in the early 17th century, 'courtly song' |
Bainbridge, Simon more... | 1952 London, England | | studied composition at the Royal College of Music with John Lambert from 1969-72. In 1973 and 1974 he studied with Gunther Schuller at Tanglewood, and from 1976-78 he was the Forman Fellow in Composition at Edinburgh University. In 1978, Bainbridge returned to the USA on a US/UK Bicentennial Fellowship. Back in England, he worked for a time at the National Theatre, before taking up a post as composer-in-residence for Southern Arts (1983-85). In 1987 he was awarded the Gemini Fellowship by the Worshipful Company of Musicians [taken from Chester/Novello website biography] |
Baines, William more... | 26 Mar. 1899 Horbury, England | 6 Nov. 1922 York, England | composer of interesting piano works who died as a result of tuberculosis. He composed chamber music, some songs and a few orchestral pieces, Baines was primarily a miniaturist, writing mainly for the piano. He had a particular gift for melody, and owed something to both Chopin and Scriabin in his musical language. Handsome tributes were paid to the young composer at his death: Frederick Dawson going so far as to declare that "he was the greatest composer of pianoforte music the English have ever had" |
| Baini, Giuseppe (Giacobbe Baldassarre) | 21 Oct. 1775 | 21 May 1844 | Italian musicologist and composer |
| Bainton, Edgar Leslie | 14 Feb. 1880 London, England | 8 Dec. 1956 Sydney, Australia | pianist and prolific composer |
| Bainville, François | 1 Apr. 1725 | 26 Sep. 1788 | French organist and composer |
Baird, David Olen more... | 1951 Oklahoma, USA | | American composer who in 1996 received international notice when he was named one of the top composers by the International Clarinet Association for his jazz inspired chamber work, Crosstalk. He has also composed two symphonies, a string quartet, and several chamber music works. His efforts included works for piano, works for chorus, and works for organ as well as compositions for both rock and jazz ensembles |
Baird, Michael more... | 1954 Lusaka, Zambia | | composer and percussionist, Michael Baird moved to England in 1964 and to Holland in 1967. Michael started playing drums in 1968 and is self-taught, except for a few private lessons with jazz-drummer Art Taylor and workshops led by Afro-Caribbean percussionist Raul Burnet |
Baird, Tadeusz more... | 26 Jul. 1928 Grodzisk Mazowiecki, Poland | 2 Sep. 1981 Warsaw, Poland | a Polish composer. In 1956, with Kazimierz Serocki he founded the Warsaw Autumn international contemporary music festival |
| Bairstow, Edward Cuthbert | 22 Aug. 1874 Huddersfield, England | 1 May 1946 York, England | church organist, voice trainer, choral conductor and composer of church music |
| Baj, Tommaso [Bai, Baij] | c. 1650 | 22 Dec. 1714 | Italian composer and singer |
| Bajamonti, Julije [Giulio] | 4 Aug. 1744 Split, Croatia | 12 Nov. 1800 Split, Croatia | a Croatian by birth and a medical doctor by profession, Bajamonti wrote an article entitled Il medico e la musica ('The physician and music', 1796), the earliest essay on music therapy in which he showed that music has therapeutic strength. He composed more than two hundred works (many are only fragmentary) including sacred music to texts in Latin, Italian, and Croatian: for example, La passione de Gesu Cristo (a cantata to words written by Pietro Metastasio), Requiem (composed on the occasion of death of Rugjer Boskovic and commissioned by the Dubrovnik Senat in 1787) and spiritual songs to Croatian verses. In 1767 he composed an oratorio which constitutes the first Croatian opera. He also wrote the first Croatian oratorio, La translation di San Diomo |
| Bajic, Isidor | 1878 | 1915 | a student of the Pest conservatory, he proved himself a skilled organiser in the musical life of Novi Sad, where he started the 'Serbian Music Journal', produced an edition of music from the Serbian Musical Library and founded the Music School. He directed, wrote articles and textbooks. His compositions include the opera 'Prince Ivo of Semberija' |
| Bajon Louis, Marie Emmanuelle (see Bayon Louis, Marie Emmanuelle | | | |
Bajoras, Feliksas Romualdas Konstantinas more... | 7 Oct. 1934 Alytus, Lithuania | | Lithuanian composer who between 1984 and 1988 lived in the United States |
Bakaleinikoff, Constantin more... | 26 Apr. 1898 Moscow, Russia | 3 Sep. 1966 Los Angeles, CA, USA | sometimes credited as: Constantine Bakaleinikoff, and very early in his career as just plain Bakaleinikoff, his nickname was Costia, or Mr. B. Constantin. He was a conductor, musical director (mostly at RKO (1939-1956)) and composer. He was nominated 4 times for the Oscar. He should not be confused with Mischa Bakaleinikof who was also very active in the Hollywood studios, but only as a musical director |
Baker, Chet more... | 23 Dec. 1929 Yale, Oklahoma, USA | 13 May 1988 Amsterdam, Holland | born Chesney H. Baker, jazz trumpeter and composer |
| Baker, Claude | 1948 | | Baker earned his doctoral degree from the Eastman School of Music. As a composer, he has received a number of accolades, which have included an Academy Award in Music from the American Academy of Arts and Letters, two Kennedy Center Friedheim Awards, and numerous commissions and fellowships. He won the first ever Barto Prize for his composition Flights of Passage: From Silent Sun to Starry Night. Baker has also served on the faculties of the University of Georgia and the University of Louisville, and was a Visiting Professor at the Eastman School of Music. Currently, Baker is Professor of Composition in the Jacobs School of Music at Indiana University, Bloomington |
Baker, David Nathaniel jr. more... | 1931 Indianapolis, USA | | David Baker received his B.M.E. (1973) and M.M.E. (1954) from Indiana University (Bloomington) and has had private study with George Russell, Bernard Heiden Gunther Schuller, John Lewis, William Russo, and others. He has served as chairman of the Jazz Studies Department at Indiana University. Baker's extensive compositional output covers a wide range of genres and styles, including works for jazz, orchestra, solo voice, chorus, piano, and chamber ensemble. Several instumental combinations, i.e., "Black America," "Levels," and "Psalm 22." He has received commissions from Janos Starker, Harvey Phillips, Natalie Hinderas, and other artists. Baker is nationally recognized as a composer, lecturer - clinician, and writer of more than one hundred books and articles on jazz and other subjects in Afro - American music |
| Baker, George | fl 1720 | | English psalmodist, 'A collection of the best and most musical psalms' (1720) |
| Baker, Sir Henry Williams | 27 May 1821 London, England | 12 Feb. 1877 Leominster, England | an eminent English clergyman, son of Sir Henry L. Baker; educated at Trinity College, Cambridge, where he graduated B.A. in 1844. He took holy orders in 1844, and became vicar of Monkland, Herefordshire, in 1851, which benefice he held until his death. He succeeded to the baronetcy in 1851. He is best known as editor in chief of Hymns Ancient and Modern, to which he contributed several of his hymns |
| Baker, Kenny | 1 Mar. 1921 Withernsea, Yorkshire, England | 7 Dec. 1999 Felpham, West Sussex, England | English trumpeter and composer. who, though uncredited, composed the dance music for the very successful film The Red Shoes (1948). Baker also composed the night club music in the British film 'The Small Back Room' (1949) |
Baker, Michael Conway more... | 13 Mar. 1937 West Palm Beach, FL, USA | | American composer, now based in Canada, noted for his film, television and video music scores as well as for his symphonic work |
Baker, Richard more... | 1972 England | | English composer and professor of composition |
Baker, Thomas more... | 1944 Toronto, Canada | | Canadian composer, conductor, pianist and organist |
Baker, Tom more... | 1965 USA | | Tom Baker has been active as a composer, performer and music producer in the Seattle new-music scene since 1994. Tom has appeared as guest conductor for the Seattle Creative Orchestra and has served as composer-in-residence for the a cappella vocal ensemble The Esoterics. As the artistic director and curator of the new-music concert series, the Seattle Composers' Salon, he is dedicated to producing and promoting the new and adventurous music that is being created in the Pacific Northwest. Tom is also the co-director of the Seattle EXperimental Opera (SEXO) and a co-founder of the new-music recording label Present Sounds. For the past several years, Tom has been performing on and composing for the fretless guitar; his first solo CD Sounding the Curve was released in October 2003 |
Bakfark (or Bachfarrt, Backvart, Bekwark), Bálint Valentin more... | 1507 Brasov, Hungary | 15 or 22 Aug. 1576 Padua, Italy | he was educated in Buda at the royal court of Janos Zapolya and spent some time of his life in the late 1540s in Paris. He was appointed as a court musician (lutenist) at the court of Krakow in 1549; he was famous for his virtuosity on the instrument as well as also for his compositions of which there exist several printed collections that are attributed to his name. He fled Poland in 1565 after his house in Vilnius had been plundered by soldiers |
| Bakhmetyev, Nikolai Ivanovich | 1807 Bakhmetevka, Saratov, Russia | 31 Aug. 1891 St. Petersburg, Russia | Russian violinist and adminstrator of church publications |
| Bakikhanov, Tofig | 1930 | | Azerbaijani a composer and professor at the Baku Academy of Music. He is remembered for his short ballet, called Caspian Ballad |
Bakke, Ruth more... | 2 Aug. 1947 Bergen, Norway | | Norwegian composer and organist who received most of her training in the United States. Since 1973, she has worked as an organist and choir conductor in Bergen. She also teaches music theory at Bergen Teacher's Training College and Bergen Music Conservatory |
Baklanova (or Baklanowa), Natalya (or Natalja) more... | 1902 | 1985 | composer particularly of pedagogical works for the violin |
Baksa, Robert more... | 1938 New York City, NY, USA | | one of America's most prolific composers, Baksa grew up in Tucson, Arizona and eventually earned a BA in Composition at the University of Arizona. He returned to live in New York City in the early 60s. He has written more than 500 pieces of music since his first efforts as a teenager. Since his earliest New York reviews critics have noted his melodic gifts, the structural clarity and harmonious nature of his music. His first pieces, short piano pieces written in the early 1950s which he later arranged for wind trio, are in fact still being performed around the world. His numerous choral pieces have been performed in many countries and his art songs have been featured in two recent studies on the subject of American Art Song |
Bakshi, Alexander more... | 1952 Sakhumi, Georgia | | Georgian-born Russian composer mainly of orchestral and stage works |
| Bal y Gay, Jesús | 23 Jun. 1905 | | Spanish musicologist and composer |
Balada, Leonardo more... | 22 Sep. 1933 Barcelona, Spain | | Catalan composer who came to New York in 1956 to study composition, has been a powerful creative force for more than three decades. His highly personal “avant-garde” techniques in the sixties – dramatically as well as rhythmically imposing – sets his works like Guernica and María Sabina apart from composers of the time. Later, in the seventies, he was credited as a pioneer in blending the “avant-garde” with folkloric ideas mixing the new with the old – now a very fashionable trend – in works like Sinfonía en Negro-Homage to Martin Luther King (1968) and Homage to Casals and Sarasate (1975). He is University Professor of Composition at the Carnegie Mellon University in Pittsburgh, Pennsylvania, USA |
Balakauskas, Osvaldas more... | 19 Dec. 1937 Miliunai, Lithuania | | Lithuanian composer, who studied in Vilnius from 1975 to 1961 and later at the Conservatory in Kiev (composition with Boris Ljatoschinsky and Miroslav Skorik). Until 1972 he was active as an editor for the music publisher Ukraina in Kiev but some years later he returned to Vilnius, where he was engaged as an art counsellor for the composers association. Since 1988 he is the leader of the composition class at the conservatory of Vilnius |
Balakiref (or Balakirev, Balakirew, Balakireff), Mily Alexeyevich more... | 2 Jan. 1837 Nijni-Novgorod, Russia | 29 May 1910 St. Petersburg, Russia | member of the group called 'The Five', later in life had a breakdown and became a railway official; composer of brilliant piano music, 2 symphonies, the symphonic poem Tamara, songs and folksong arrangements |
Balakrishnan, David more... | 1954 | | violinist and member of the Turtle Island String Quartet, David Balakrishnan, co-founder of the quartet, has also collaborated with such ensembles as the Modern Jazz Quartet and Manhattan Transfer. In addition, he has made a name for himself as a successful composer and arranger |
| Balanchivadze (or Balancsivadze), Andrey (Melitonovich) | 1 Jun. 1906 St Peterburg, Russia | 28 Apr. 1992 Tbilisi | Russian composer and conductor |
| Balanchivadze, Meliton (Antonovich) | 24 Dec. 1862 Banodzha | 21 Nov. 1937 Kutaisi | Georgian composer and singer |
Balanescu, Alexander more... | 1950 Bucharest, Romania | | Romanian violinist and composer, leader of the Balanescu Quartet. Recordings of Balanescu’s original work appear on his albums for MUTE (‘possessed’, ‘Luminitza’, 'Angels and Insects’) as well as his tribute to YMO ‘East meets East’ (Con-Sipio), his score for the Italian war film ‘Il Partigiano Johnny’ (Virgin, Italy) and collaborations with electronica artist ‘Lume, Lume’ (Staubgold) as well as guesting on albums by To Rococo Rot , Spiritualized, Rabih Abou-Khalil and The Pet Shop Boys |
| Balart, Gabriel | 8 Jun. 1824 Barcelona, Spain | 5 Jul. 1893 Barcelona, Spain | Spanish composer |
| Balasanian, Sergey Artem'yevich | 26 Aug. 1902 Ashkhabad | 3 Jun. 1982 Moscow, Russia | Russian composer |
Balasanyan, David
| 10 Oct. 1983 Yerevan, Armenia | | Armenian pianist and composer who studied composition and piano with Ashot Ghazaryan at a music school in Yerevan from 1991-98 and composition with Ashot Ghazaryan and piano with Avetik Pivazyan at the Romanos Melikyan College of Music in Yerevan from 1998-2000. He studied composition with Ashot Zohrabyan at the Yerevan Komitas State Conservatory from 2000-05, where he has had post-graduate studies in composition with Ashot Zohrabyan since 2005. He was awarded Second Prize in the Benjamin Britten competition in Yerevan (2003, for Composition for Woodwind Quintet (2002/03)) and the Narekatsi Young Composers Award in Yerevan (2006, for Postlude in memoriam... for violin and piano (2003/04)). He has written numerous poems, many of which appear in the collection Arahetner (2001, Mitq) and he participated with Ashot Zohrabyan as an Armenian delegate to the European Composers Congress in Vienna (2006). Between 2004 and 2005 he taught choral writing as an assistant to Gevorg Armenyan at the Yerevan Komitas State Conservatory [e-mail: davbal@yandex.ru] |
| Balassa, Sándor | 20 Jan. 1935 Budapest, Hungary | | composer of Iris for orchestra, a trio for violin, viola and harp and Requiem for Lajos Kassák |
Balatka, Hans more... | 26 Feb. 1826 Hoffnungsthal, Moravia | 17 Apr. 1899 Chicago, USA | Moravian conductor and composer, active in the United States [birth date corrected by W. Pin] |
Balazs, Arpad more... | 1937 Hungary | | Hungarian composer |
Balbastre, Claude-Bénigne more... | 22 Jan. 1727 France | 9 May 1799 France | French organist and composer. Balbastre taught the harpsichord to Marie-Antoinette and the Duke of Chartres. He was organist at the Chapelle Royale where he performed his own works at Christmas, as did his colleagues, Louis Claude Daquin and Jean-François Dandrieu. It is reported that the improvisations by Balbastre at Christmas attracted so many people, it was feared disorder would be caused in the church, to the point where he was twice refused access to the organ loft at Notre-Dame Cathedral during midnight mass, by order of the Archbishop of Paris |
| Balbi, Igazio | fl. 1720-75 | | Italian composer |
| Balbi, Lodovico | c. 1545 | before 15 Dec. 1604 | Italian composer and friar |
| Balbi, Luigi [Alviso, Alciso, Aluigi, Aloysius] | fl. 1585-1621 | | Italian composer, organist and friar |
| Balbi, Melchiore | 4 Jun. 1796 Venice, Italy | 21 Jun. 1879 Padua, Italy | Italian composer |
Balbulus, Blessed Notker (Stammerer) more... | c. 840 Jonswil, Switzerland | 912 St. Gall Switzerland | it is practically accepted that he is the "monk of St. Gall" (monachus Sangallensis), author of the legends and anecdotes Gesta Caroli Magni. The number of works ascribed to him is constantly increasing. He introduced the sequence, a new species of religious lyric, into Germany. It had been the custom to prolong the Alleluia in the Mass before the Gospel, modulating through a skillfully harmonized series of tones. Notker learned how to fit the separate syllables of a Latin text to the tones of this jubilation; this poem was called the sequence, formerly called the 'jubilation'. (The reason for this name is uncertain.) Between 881-887 Notker dedicated a collection of such verses to Bishop Liutward of Vercelli, but it is not known which or how many are his. Ekkehard IV, the historiographer of St. Gall, speaks of fifty sequences attributable to Notker. The hymn, Media Vita, was erroneously attributed to him late in the Middle Ages. Ekkehard IV lauds him as "delicate of body but not of mind, stuttering of tongue but not of intellect, pushing boldly forward in things Divine, a vessel of the Holy Spirit without equal in his time".
[taken from Catholic Encycolpedia]
|
Balciunas, Linas more... | 1973 Lithuania | | Lithuanian composer |
| Baldan, Angelo | 1753 | 23 Apr. 1803 | Italian composer, teacher and priest |
| Baldassare, Pietro [Baldassari] | c. 1690 Rome, Italy | c. 1768 | he worked as a choirmaster in Brescia between 1721 and 1725 and is believed to have composed oratorios although none appear to have survived |
| Baldi, Joao José | 1770 | 18 May 1816 | Portuguese composer |
| Baldrati, Bartolomeo [Baldradi] | c. 1645 | | Italian (?) composer |
Baldwin, Anthony more... | late 20th century London, UK | | his early years were spent as a choirboy at Southwark Cathedral, London. At the age of 17, he was awarded the Associateship Diploma of the Royal College of Organists, winning the prize for harmony and counterpoint, and earned the Fellowship a year later. He studied at the Universities of Oxford and Durham, and afterwards embarked upon a career in teaching, organ-playing and choir-training. Baldwin has made regular visits to the United States as a recitalist and formed his own chamber choir in California. He is currently Organist at the American Church in London. As a composer, Baldwin has written anthems, carols, carol arrangements and organ music. He won the Royal School of Church Music’s Harold Smart Competition in 1996 and 1998 |
| Baldwin, John [Baldwine, Baldwyn, Baudewyn, Bawdwine] | before 1560 | 28 Aug. 1615 | English anthologist, singer and composer |
Baley, Virko more... | 1938 Ukraine, Russia | | composer, conductor and pianist, who trained in (West) Germany and at the Los Angeles Conservatory of Music, was the first American to be awarded the coveted Shevchenko Prize for Music (1996) |
Balfe, Michael William more... | 15 May 1808 Dublin, Ireland | 20 Oct. 1870 Rowney Abbey, Herts. | baritone singer, violinist and composer of popular operas including The Bohemian Girl (1843) |
| Baliani, Carlo [Bagliani, Balliani, Basiliani] | c. 1680 possibly Milan, Italy | 16 Feb. 1747 Milan, Italy | Italian composer |
| Balissat, Jean | 15 May 1936 | | Swiss composer and conductor |
| Balius y Vila, Jaime | 3 Nov. 1822 | | Spanish composer |
Ball, Christopher more... | England | | English-born recorder player, teacher and composer particularly of works including the recorder |
Ball, Eric more... | 31 Oct. 1903 Kingswood, Bristol, UK | 1 Oct. 1989 | in 1919, Eric Ball took a job in The Salvation Army Musical Instrument Department at Judd Street in central London. He soon progressed to The Musical Editorial Department where he would spend twenty eight years, and where he worked alongside such well known Salvation Army composers as Philip Catelinet, Bramwell Coles, Albert Jakeway and George Marshall, as well as Henry Hall, later to become famous as a band leader. He was a bandmaster of the International Staff Band of The Salvation Army and a prominent figure in the brass band world. A prolific composer and arranger, many of his works remain in the repertoire |
Ball, Ernest R. more... | 21 Jul. 1878 Cleveland, Ohio, USA | 3 May 1927 Santa Ana, CA, USA | American composer who co-wrote i>When Irish Eyes Are Smiling (1912) |
Ball, Michael more... | 1946 Manchester, England | | while attending the Royal College of Music, he studied with Herbert Howells, Humphrey Searle and John Lambert. In 1970 he was one of four students selected to take part in master classes with Nadia Boulanger on her visit to the RCM and in the same year was awarded all the major composition prizes of the College, including the Octavia Travelling Scholarship, which he used to study with Franco Donatoni in Italy during the summers of 1972 and 1973. Whilst he was there, he participated in master classes with Luciano Berio and György Ligeti. He has written works for orchestra, windband and brassband as well as an opera The Belly Bag for younger musicians |
| Ballabene, Gregorio [Bellabene] | c. 1720 | c. 1803 | Italian composer |
| Ballantine, Edward | 6 Aug. 1886 | 2 Jul. 1971 | American composer |
Ballard, Robert more... | c. 1575 France | in or after 1650
| French composer and lutenist, probable pupil of Adrian le Roy and son of Robert Ballard (c.1525-1588), was a lutenist at the royal court from 1612 until his death, taking part in performances of ballets de cour. He published two volumes of airs and dances for the lute. Robert snr. in partnership with Adrian le Roy who was his brother-in-law, was granted a privilege (license) for printing music from the French king Henri II on July 14, 1551. In 1553, Le Roy and Ballard received the title of music printer to the king, which was re-affirmed in 1568 under Charles IX. A combination of important court connections, shrewd choice of repertoire, technical expertise, and high artistic quality (some it due to their using movable type, cut in 1540 by Robert's father-in-law, Guillaume Le Bé (or du Gué)), gave Le Roy and Ballard a near-monopoly on music printing in France through the end of the 16th century. Under Henry IV in 1594, a few years after Robert's death, the same title was granted to the partnership of Le Roy and Lucrèce Ballard, Robert's widow. Members of the Ballard family were to bear the title of music printers to the king well into the 18th century. They held a virtual monopoly on music printing in France for two centuries, and continued in business into the second decade of the 19th century, when the final owner was the great-great-great-great grandson of Robert. Throughout this period the Ballard family exploited the role of family relationships in the French social system by establishing family ties to leading printers and publishers such as Boivin, Montéclair and Dumesnil |
| Ballarotti, Francesco | c. 1660 | Apr. 1712 Bergamo, Italy | Italian composer |
| Ballesteros, Antonio | | | published his Obra Para Guitarra de Seis Ordenes, a method book for the 6 string guitar, in 1780 |
| Ballestra, Reimundo [Balestra, Armbruster?; Raimundo] | 2nd half 16th century | 11 Oct. 1634 | composer, probably German |
| Balletti, Bernardino | fl. 1554 | | Italian lutenist and composer |
| Ballière de Laisement, (Charles-Louis-)Denis | 9 May 1729 | 8 Nov. 1800 | French composer and theorist |
Ballif, Claude (André François) more... | 22 May 1924 Paris, France | 24 Jul. 2004 Poissons, Haute-Marne, France | Claude Ballif first studied music in Bordeaux, before entering the Paris Conservatory in 1948 to study composition with Tony Aubin, counterpoint and fugue with Noël Gallon and analysis in the class of Olivier Messiaen. From 1954 he followed the classes of Boris Blacher (composition) and Joseph Rufer (analysis) at the Berlin Conservatory. The following year he won First Prize for music composition in the Geneva International Competition for his orchestral work Lovecraft and his First String Quartet. From 1956 to 1959 he taught at the summer school in Darmstadt, alongside Luigi Nono, Luciano Berio and Karlheinz Stockhausen. Works include Journey of my ear for orchestra and various chamber works |
| Ballis, Oliviero | fl. 1577-1609 | | Italian composer, singer and priest |
| Ballou, Esther (Williamson) | 17 Jul. 1915 | 12 Mar. 1973 | American composer, pianist and educator |
| Balmer, Luc | 13 Jul. 1898 Munich, Germany | | Swiss conductor and composer |
Balogh, Erno more... | 4 Apr. 1897 Budapest, Hungary | 2 Jun. 1989 Michellville, MD, USA | Erno Balogh, pianist, composer, editor and teacher. From an early age, he performed and composed music at the piano. Punishment for him was being denied access to the piano. His first compositions, two short piano pieces dedicated to his father, were written at the age of eight. For twelve years, 1905 to 1917, he attended the Budapest Conservatory, completing the Professor's Certificate and receiving the Franz Liszt Prize in piano and composition. During this period, he studied piano with Bela Bartok and composition with Zoltan Kodaly. Balogh became a close friend of both men and he was instrumental in bringing Bartok to the U.S. for his first concert tour in 1927 |
Balsach, Llorenç more... | 1953 Sabadell (Barcelona), Spain | | studied music with J. Poch, C. Guinovart, A. Argudo and J. Soler. and mathematics at Universitat Autònoma de Barcelona. He has received commissions from Radio Baden-Baden Orchestra, Valles Symphonic Orchestra, Catalonian Composers'Association, Spanish Ministry of Culture, National Radio of Spain and the Councils of Barcelona and Sabadell, among others |
| Balsamino, Simone | fl. c. 1590-96 | | Italian composer and poet |
Baltakas, Vykintas more... | 10 Jul. 1972 Vilnius, Lithuania | | Lithuanian composer and conductor |
| Baltan, Kid (see Raaijmakers, Dick) | | | |
Balthaus, Dirk more... | 1965 Oberhausen, Germany | | Jazz pianist, co-founder of Crossover Piano, a piano-duo, with the classical pianist Wolfgang Mechsner |
Baltzar, Thomas more... | 1631 Lübeck, Germany | bur. 27 July 1663 London, UK | German violinist and composer, he came from a family of Lübeck musicians: his father, David (d 1647), his grandfather, Hinrik Thomas, his great-grandfather, Hinrik, and his brothers Joachim and David were all musicians there. According to the English scientist Samuel Hartlib, Baltzar studied with Johann Schop, and he is recorded at the Swedish court in 1653. He probably returned home in summer 1654, after Queen Christina's abdication, and was briefly appointed a Lübeck Ratslutenist at the beginning of 1655. He travelled to England later in the year, where he remained until his death. Baltzar caused a sensation in England. John Evelyn heard him at Roger L'Estrange's London house on 4 March 1656, and wrote that he ‘plaid on that single Instrument a full Consort, so as the rest, flung-downe their Instruments, as acknowledging a victory’. Baltzar was in London in September 1656 to play in Davenant's The Siege of Rhodes, though Anthony Wood wrote that he spent about two years with Sir Anthony Cope at Hanwell House near Banbury. Presumably he was living there when he made his famous visits to William Ellis's Oxford music meetings in summer 1658. Wood compared him several times with the English violinist Davis Mell, who ‘play'd farr sweeter than Baltsar, yet Baltsar's hand was more quick and could run it insensibly to the end of the finger-board’. Mell was also in Oxford in 1658, and their divisions on John, come kiss me now, printed in Playford's The Division Violin (1684/R), probably record some sort of playing contest. They show that Mell was no match for Baltzar, as a composer as well as a player |
| Balys, Eduardas | 20 Dec. 1919 | | Lithuanian composer |
| Balzano, Domenico | fl. 1680 | | Maltese composer, brother of Giuseppe, known for his motet "Venite Omnes" (1680) scored for 2 canti and continuo |
| Balzano, Giuseppe | fl. 1652 | | Maltese composer, brother of Dominico, known for his motet "Beatus Vir" (1652) scored for two tenors, a baritone and continuo |
| Bamfi, Alfonso [Banfi, Banfo] | fl. 1641-55 | | Italian composer and organist |
Ban, Joan Albert [Bannius] more... | 1597/1598 The Netherlands | 27 Jul. 1644 The Netherlands | Dutch musical theorist and composer noted for his arguments with Mersenne and other French theorists |
Banasik, Christian more... | 1963 Siemianowice, Poland | | has lived in Germany since 1974. He studied composition with Guenther Becker and Dimitri Terzakis at the Robert Schumann Academy of Music in Duesseldorf. Computer music seminars with Clarence Barlow at the Music Academy in Cologne. Postgraduate studies with Hans Zender (composition) and Hans-Dieter Resch (conducting) at the University of Music and Performing Arts in Frankfurt. His instrumental and electronic pieces have been featured in concerts and radio programs throughout Europe (BBC London, SFB Berlin, HR Frankfurt, WDR Cologne, NDR Hamburg, VPRO Radio Holland, VRT Radio Belgium, Polskie Radio and Swedish National Radio), the Americas, Asia and Australia. He has developed an algorithmic composition software (AFSTS 1) for the Atari ST computers from 1991-1993. From 1994-1997 he was chairman of the music department in the guild of artist "Kuenstlergilde NRW". Banasik was the artistic director of the ensemble "go ahead" and organizer of multimedia events with new music, literature and fine arts as well as concerts of electroacoustic music. He has received national and international music awards and scholarships. Beside live electronics and computer music Banasik has produced works for tape, radio plays and film soundtracks |
| Banaster, Gilbert [Banastir, Banastro] | c. 1445 | between 19 Aug. and 10 Sep. 1487 | English composer |
Banchieri, Adriano (Tomaso) more... | 3 Sep. 1568 Bologna, Italy | 1634 Bologna, Italy | a man of considerable versatility, a composer, dramatist, organist and theorist, he spent almost his whole life at the monastery of San Michele in Bosco, near Bologna, becoming abbot in 1620. He founded the Accademia dei Floridi in Bologna |
| Banci, Giovanni | fl. 1619 Italy | | Italian composer |
Bancquart, Alain more... | 1934 France | | one of the leading composers of microtonal music in Europe |
| Bandiera, Lodovico | fl. 1663 | | Italian composer |
Bandolim, Jacob do more... | 13 Aug. 1918 Brazil | 14 Feb. 1969 Brazil | the most influential Brazilian artist on the instrument that became part of his name, Jacob elevated the mandolin (bandolim, in Portuguese) to a place of honour
[to hear extracts of his music click here] |
Banester, Gilbert more... | c.1445 probably London, England | 1487 probably Windsor, England | English composer Gilbert Banester was possibly born in London in 1445. He was Master of the Children of the Chapel Royal from 1478. He contributed a carol in florid style to the Fayrfax Manuscript, and wrote and produced pageants at Henry VII's court; his latin motets include one probably for Henry's wedding. He is represented in the Eton Choirbook. |
| Banevich, Sergei | 2 Dec. 1941 Okhansk, nr. Perm | | composer |
Banfield, William more... | 1961 USA | | he earned a Bachelor of Music from the New England Conservatory of Music in 1983, a Master of Theological Studies from Boston University in 1987, and Doctor of Musical Arts from the University of Michigan in 1992. His diverse blend of musical influences were shaped by his teachers and mentors including T.J. Anderson, George Russell, Leslie Bassett, William Bolcolm, and William Albright. In 2000, he was a W.E.B. Dubois fellow at Harvard University where he worked on two operas, including Gertrude Stein Invents A Jump Early On. He has composed eight symphonies, six symphonic concertos, four operas, music for ballet, musicals, chorus, chamber ensembles, jazz ensembles, and song cycles for voice and keyboard |
| Banister, Charles W. | fl 1792 | | English psalmodist, 'Twelve psalm and hymn tunes' (1792) |
| Banister, Henry Charles | 13 Jun. 1831 | 20 Nov. 1897 | English composer and teacher |
| Banister, John | c. 1625 London, England | 3 Oct. 1679 London, England | flageolet player, violinist, leader of Charles II band (based on the string band of the French court); composer and pioneering organiser of concerts to which the public paid an entry fee |
| Banister, John | | c. 1725 | English composer, violinist and recorder player |
Bank, Jacques more... | 18 Apr. 1943 Amsterdam, The Netherlands | | Dutch composer. He studied composition with Ton de Leeuw and Jos Kunst at the Amsterdam Conservatory, where he was awarded the Composition Prize in 1974 |
| Banks, Don (Donald Oscar) | 25 Oct. 1923 Australia | | pupil of Seiber and Dallapiccola; works include Four pieces for orchestra, a horn concerto, a violin sonaa and a Divertimento for flute and string trio |
Bannink, Harry more... | 10 Jul. 1929 Enschede, The Netherlands | 19 Oct. 1999 | Dutch composer, arranger and pianist who wrote about 3000 songs |
| Banshchikov, Gennadi Ivanovich | 1943 Kazan, Russia | | composer of 5 cello concertos and operas |
Bantock, Sir Granville more... | 7 Aug. 1868 London, England | 11 Oct. 1946 London, England | born the son of eminent London gynaecologist, who forbade him to take up music professionally. Joined civil service and when failed to be tempted by the money on offer was reluctantly allowed to study at the RAM. While a student there his bottled-up musical ambition was released into 14 symphonic poems on Indian themes. Founded the New Quarterly Musical Review and took up conducting, transforming the New Brighton Orchestra from a shambolic mob to a competent orchestra. Introduced all-British programmes of music, an innovation at the time (1898). Championed British music al his life, along with other 'modern' composers such as Sibelius (who dedicated his 3rd Symphony to him), Strauss, Debussy etc. Succeeded Elgar as professor of music at Birmingham University. A great fan of the east, many of his works have an oriental theme - a famous photograph of him shows him dressed as a mullah, reading the Rubayat - which he eventually set to music. Later on he became interested in British folk culture too, especially Celtic |
Bantzer, Claus more... | 10 Oct. 1942 Marburg, Germany | | organist, conductor and composer of film scores |
| Banwart, Jakob | 19 May 1609 | ca. 1657 | German composer |
| Baptista, Gracia | | | nun and composer who published in Spain in 1557 |
| Baptiste, Ludwig Albert Friedrich | 8 Aug. 1700 | c. 1764 | German composer, probably of French descent |
| Baqueiro Fóster, Gerónimo | 7 Jan. 1898 | 29 May 1967 | Mexican musicologist and composer |
Barabba, Jason A. more... | 1970 US | | graduate of Occidental College with a Bachelor's Degree in Latin American Studies, Mr. Barabba subsequently attended the University of Chicago where he pursued his interest in music. He received a Master of Fine Arts Degree in Composition and Music Technology from the Claire Trevor School of the Arts, University of California at Irvine in 2004. He is currently attending the University of California at Los Angeles, where is pursuing a Ph.D. in Composition. In his formative years, Mr. Barabba received extensive instrumental training in piano and trombone |
Baranovic, Krešimir more... | 25 Aug. 1894 Sibenik | 17 Sep. 1975 Belgrade, Yugoslavia | much of the career of Croatian composer/conductor Krešimir Baranovic was spent with Zagreb Opera. He conducted there for almost 30 years between 1915 and 1943, and also directed the opera between 1929 and 1940. His opus contains two comic operas, 'Shorn-mown' and 'The Bride from Centigrad'. The first was premiered in Zagreb in 1932 and the second first saw the stage in Belgrade in 1951 |
| Bararipton | 14th century | | composer in Avignon repertory |
| Bararini Lupus, Manfred | fl. 1557-61 | | Swiss composer of Italian birth |
Barat, Joseph Edouard more... | 1882 | 1963 | best known through his compositions for solo winds and orchestra, Joseph Edouard Barat studied music in Paris with Paul Vidal and Emile Pessard. His affinity for wind music was partially influenced through his work as a bandmaster with the French Army. His Andante et Allegro for trombone and piano (orchestra) was composed for the annual trombone competition at the National Conservatory in Paris in 1935, and dedicated to Professor Henri Couillaud |
Barati, George more... | 3 Apr. 1913 Györ, Hungary | 22 Jun. 1996 San Jose, California, USA | Hungarian composer and cellist who worked from 1939 in the U.S.A. |
| Barba, Daniel [Daniele] (Pius) dal | 5 May 1715 Verona, Italy | 26 Jul. 1801 Verona, Italy | Italian composer |
Barbara, Joan La more... | 8 Jun. 1947 Philadelphia, USA | | her career as a composer, performer and sound artist has been devoted to exploring the human voice as a multi-faceted instrument, going far beyond its traditional boundaries, creating works for voices, instruments and interactive technology. "One of the great vocal virtuosas of our time" (San Francisco Examiner) and an important pioneer in the field of contemporary classical music and soundart, she developed a unique vocabulary of experimental and extended vocal techniques, including multiphonics (the simultaneous sounding of two or more pitches), circular singing, ululation and glottal clicks that have become her "signature" sounds |
| Barbarino, Bartolomeo (Il Pesarino) | c. 1568 | 1617 | Italian composer. Maestro di cappella at the cathedrals of Pesaro and (from 1605) Parma, he published some church music but is mainly important as one of the earliest and most prolific monodists, a follower of Caccini in his style of vocal composition, which is often dramatic, with extravagant word painting; in general, however, his best music is in a more melancholy and expressive vein |
| Barbato, Angelo | fl. 1583-87 | | Italian amateur music editor and composer |
| Barbe, Antoine | | 2 Dec. 1564 | Flemish composer |
| Barbe, Antoine sr | before 1547 | 13 Feb. 1604 | Flemish composer and organist |
| Barbe, Helmut | 28 Dec. 1927 | | German composer |
Barbella, Emanuele more... | 14 Apr. 1718 Naples, Italy | 1 Jan. 1777 Naples, Italy | Emanuele Barbella, originally trained by his father Francesco. After the premature death of his father in 1733, Barbella continued to study the violin with Angelo Zago and Pasqualino Bini (a student of Tartini), also studying composition with Michele Caballone, Leonardo Leo, and, probably, with Father Martini in Bologna. In 1753 he became first violin of Teatro Nuovo in Naples, and three years later he entered into the service of the Neapolitan Royal Chapel; starting in 1761, he played in the orchestra of Teatro S. Carlo, also teaching at the Conservatoire of S. Onofrio. Charles Burney, who got to know Barbella during his stay in Naples in October 1770, spoke of him as the “kindest human being that I’ve ever known”, blessed with a character which was as “sweet as the sound of his violin” |
| Barbella, Francesco | 1692 Italy | 1733 Italy | composer and “Master of String Instruments” at the Conservatoire of S. Maria di Loreto, father of Emanuele Barbella |
Barber, Charlie more... | | | a composer based in South Wales who is also the artistic director of Sound Affairs |
| Barber, John | fl 1723 | | psalmodist of Castleton, Derbys. who published 'A book of psalmody' (1723) with Robert Barker |
| Barber, Robert | fl 1723-53 | | psalmodist based in Castleton, Derbys, who published 'The psalm singer's choice companion' (1723), 'A book of psalmody 2nd edn' (1733) and 'David's harp well tuned' (3rd edn of A book of psalmody) (1753) |
| Barber, Robert (ii) | c. 1750 | | English composer and organist |
Barber II, Samuel Osborne more... | 9 Mar. 1910 West Chester, PA, USA | 23 Jan. 1981 New York City, USA | major American composer whose predominantly lyrical and expressive works include a violin concerto and the famous Adagio for Strings |
| Barberá, José | 21 Jan. 1876 | 1947 | Spanish composer and teacher |
| Barberiis, Melchiore de | fl. c. 1545-50 | | Italian priest, composer, lutenist and 4 course guitarist who in the late 1540s published works for the lute |
| Barbetta, Giulio Cesare | c. 1540 | after 1603 | Italian lutenist and composer |
| Barbier, René (Auguste-Ernest) | 12 Jul. 1890 Namur, Belgium | 24 Dec. 1981 Brussels, Belgium | Belgian composer |
| Barbieri, Carlo Emanuele [de Barbieri] | 22 Oct. 1822 Genoa, Italy | 28 Sep. 1867 Pest, Hungary | Italian conductor and composer |
Barbieri, Francisco Asenjo more... | 3 Aug. 1823 Madrid, Spain | 17 Feb. 1894 Madrid, Spain | he was central to the group of composers, including Oudrid, Gaztambide and Arrieta working from 1851 at the Teatro del Circo, directing the chorus as well as providing many original stage works. 1856 saw the founding of the Teatro de la Zarzuela, and from the 1860s Barbieri broadened his activities even further, founding the Society for Orchestral Music (1866) and introducing much of the German symphonic repertoire to Madrid, as well as publishing a wide variety of books on music, politics and much besides |
Barbieri, Gato more... | 28 Nov 1932 Rosario, Argentina | | Gato Barbieri is the second Argentinean musician to make a significant impact upon jazz - the first being Lalo Schifrin, in whose band Barbieri played as a teenager. His story has been that of an elongated zigzag odyssey between his homeland and North America. He started out playing to traditional Latin rhythms in his early years, turning his back on his heritage to explore the jazz avant-garde in the 1960s, reverting to South American influences in the early 1970s, playing pop and fusion in the late 1970s, only to go back and forth again in the 1980s |
| Barbieri, Girolamo | 1808 Piacenza, Italy | 1871 Piacenza, Italy | he began his career as maestro di cappella at Caravaggio, subsequently took up the same position in Cremona and finally returned to his home town in 1847. Most of his energies were devoted to the composition of sacred music and piano pieces. He also held a post as organist and took an interest in organ building: he reviewed the inaugurations of new Lingiardi and Serassi organs for the Gazzetta musicale di Milano. His organ works, published by F. Lucca and Ricordi, amount to some 800 pieces |
| Barbieri, Lucio [Luzio] | 24 Jul. 1586 | mid-November 1659 | Italian composer, organist and teacher |
| Barbignant | fl. c. 1470 | | composer |
| Barbio, Eustachius | | before 9 Jul. 1556 | Flemish composer and choirmaster |
| Barbireau, Jacques [Barberianus, Barbirianus, Barbarian; Jacobus]>br>more... | 1455 probably Antwerp, Belgium | 7 Aug. 1491 | a Renaissance composer from the southern Netherlands. He was considered to be a superlative composer both by his contemporaries and by modern scholars, however his surviving output is small, and he died young |
| Barbitonsoris | fl. late 14th century | | composer, probably from northern Italy |
| Barbosa de Araújo, Damião | 27 Sep. 1778 Itaparica, nr. Salvador, Bahia, Brazil | 20 Apr. 1856 Salvador, Bahia, Brazil | Brazilian composer |
| Barbour, J(ames) Murray | 31 Mar. 1897 | 4 Jan. 1970 | American acoustician, musicologist and composer |
| Barce, Ramon | 6 Mar. 1928 Spain | | Spanish composer and writer on the Italian composer Boccherini |
Barcelata, Lorenzo [Lorenzo Barcelata y Castro] more... | 1898 Tlalixcoyan, Veracruz, Mexico | 13 Jul. 1943 Mexico |
composer and lyricist for the beautiful waltz Maria Elena (1940), a song that won him international fame |
Barchan, Stephen Mark more... | 1982 Middlesborough, UK | | English composer who studied at the University of Huddersfield with Richard Steinitz, where he was awarded the J Wood and Sons Prize for composition. His music has been played throughout Europe, Australia and the USA. He is currently working as a freelance composer and music copyist, alongside studying at the Birmingham Conservatoire with Edwin Roxburgh, and he has just been awarded a fellowship to attend Ostrava Days 2005 |
| Barchet, Siegfried | 1918 Stuttgart, Germany | 1982 | German cellist, for more than thirty years solo cellist in the Stuttgart Chamber Orchestra, and composer whose works include: Sinfonie for strings (1968) - Serenata in modo classica (1964) - Introduction and Burleske (1968) - Images de Menton (1963) - Five Miniatures (1966) - Flute Quartet (1970) - Concertino (1973) - Quodlibet (1977) - Nonchalance (1945-60) - Nocturne (1945-60) - String Trio (1966) - Divertimento Op. 10a (1944) - Quartet (1973) |
Bardanashvili, Josef more... | 1948 Batumi, Georgia | | Georgian painter and composer now living in Israel |
Bardi, Agustin more... | 13 Dec 1884 Argentina | 1941 | one of a group of Argentinean composers of popular tangos |
| Bardi, Giovanni de', Count of Vernio | 5 Feb. 1534 | Sep. 1612 | Italian literary critic, poet, playwright and composer |
Bárdos, Lajos more... | 1 Oct. 1899 Budapest, Hungary | 18 Nov. 1986 Budapest, Hungary | choir director, teacher and musicologist, he was professor at the Liszt Ferenc Academy of Music, composer and founder of a school of music theory in Hungary. In 1934, he organized with György Kertész the movement 'Singing Youth'. They also founded a periodical and a publishing house both named Magyar Kórus (Hungarian Chorus). Bárdos did his utmost to put into practice Zoltan Kodály's idea of 'singing Hungary' |
| Bardwell, William | 26 Aug. 1915 | | English composer |
| Barera, Rodiano [Barrera; Ahrodiano] | late 16th century | | Italian composer |
Bargeld, Blixa more... | 12 Jan 1959 Berlin, Germany | | German actor, composer and songwriter |
| Barges, Antonino [Bargues; Antonio] | fl. 1547-65 | | Netherlands composer resident in Italy |
| Bargiel, Woldemar | 3 Oct. 1828 Berlin, Germany | 23 Feb. 1897 Berlin, Germany | Woldemar Bargiel was the son of Marianne Tromlitz, first wife of Friedrich Wieck and mother of Clara Schumann and was taught by Moscheles and Niels W. Gade in Leipzig, before returning to his native Berlin, where he was later appointed professor of composition at the invitation of Joachim. His music is influenced by Schumann, who regarded him as one of the leading composers of the younger generation |
Bargielski, Zbigniew more... | 21 Jan. 1937 Lomza, Poland | | studied law at the Maria Curie-Sklodowska University in Lublin (1954-57). In 1958 he began studying composition at the State College of Music in Warsaw under Tadeusz Szeligowski. After his teacher's death he continued his studies under Boleslaw Szabelski at the State College of Music in Katowice, where he gearned a degree in composition in 1964. He continueded his studies under Nadia Boulanger in Paris (1966-67) on a French government scholarship, and also at the Hochschule fur Musik in Granz (1972). Since 1976 he has been living in Austria, where he is engaged in teaching |
| Bargnani, Ottavio | c. 1570 | after 1627 | Italian composer and organist |
Bargy, Roy (Fredrick) more... | 31 Jul. 1894 Newaygo, Michigan, USA | 16 Jan. 1974 Vista, California, USA | an American composer and pianist |
| Bari, Marco di | 1958 Italy | | his music exhibits his interest in scientific data, especially the dimension of fractals, from which to derive formal ideas |
| Barié, Augustin | 1883 | 1915 | Augustin Barié was blind from his birth. He studied organ with Guilmant and Widor. Later he was appointed organist of the Eglise Saint-Germaine-des-Prés in Paris. He composed a few works and died at the early age of 32 years during the First World War |
Barilari, Elbio Rodríguez more... | 1953 Montevideo, Uruguay | | Uruguayan composer and jazz musician who now works the the United States |
| Barilli, Bruno | 14 Dec. 1880 Fano, Italy | 15 Apr. 1952 Rome, Italy | Italian critic and composer |
Baring-Gould, Sabine more... | 28 Jan. 1834 Exeter, UK | 2 Jan. 1924 Lewtrenchard, Devon, UK | clergyman and composer of popular hymns including Onward, Christian Soldiers and Now the Day Is Over. He regarded as his principal achievement the collection of folk songs that he made with the help of the ordinary people of Devon and Cornwall. His first book of songs, Songs and Ballads of the West (1889–91), was the first collection published for the mass market. The musical editor for this collection was Henry Fleetwood Sheppard, though some of the songs included were noted by Baring-Gould's other collaborator Frederick Bussell. Baring-Gould and Sheppard produced a second collection called A Garland of Country Songs in 1895. A new edition of Songs of the West was proposed for publication in 1905. Sheppard had died in 1901 and so the collector Cecil Sharp was invited to undetake the musical editorship for the new edition. Sharp and Baring-Gould also collaborated on English Folk Songs for Schools in 1907. This collection of 53 songs was widely used in British schools for the next 60 years |
| Bariolla, Ottavio [Bariola, Barioli, Bariolus] | fl. 1573-1619 | | Italian organist and composer |
| Bariona, Madelka S. | fl. 16th century Germany | | a composer whose work was published in 1586 and is now in the Royal Library, Munich |
| Bark, Jan (Helge Guttorm) | 19 Ap. 1934 | | Swedish composer |
Barkauskas, Vytautas more... | 25 Mar. 1931 Kaunas, Lithuania | | one of the most prolific Lithuanian contemporary composers and has written over 100 pieces of music. He is a graduate in mathematics (1953) and music composition (1959). He is professor in the Department of Composition of the Lithuanian Academy of Music |
| Barkel, Charles (Alvinus) | 6 Feb. 1898 | 7 Mar. 1973 | Swedish violinist and composer |
Barker, George Arthur more... | 1812 | 1876 | composer of Bright be the place of thy soul! a hymn to words (1808) by Lord Byron |
| Barker, John | between 1705 and 1710 | bur. 3 Apr. 1781 | English copyist, composer of psalm tunes and organist at Coventry, 1731-52 |
Barker, Paul more... | 1956 Cambridge, UK | | English composer who now lives in Mexico. He has composed music for orchestra, soloists, chamber music, choral music, for contemporary dance, and principally for opera and theatre. He has received several awards and scholarships including Royal Philharmonic Society Prize, Countess of Munster Trust Scholarship, Ralph Vaughan Williams Trust Scholarship, Arts and Humanities Research Award and a Djerassi Artistic Residency in California, USA |
Barker, Warren more... | 16 Apr. 1923 Oakland, CA | | composer, pianist and trumpeter, Warren studied with the composer Mario Castelnuovo-Tedesco. After the end of the Second World War, he began working for radio, TV and films |
| Barkin, Elaine R(adoff) | 15 Dec. 1932 New York, USA | | American composer |
| Barkhudaryan, Sergey Vasilyevich [Sarkis] | 8 Sep. 1887 | 25 Oct. 1972 | Georgian composer and teacher |
| Barkworth, John (Edmond) | 20 May 1858 Beverley, England | 18 Nov. 1929 Geneva, Switzerland | English organist and composer |
| Barlan, Otto | 22 Mar. 1860 | 19 Dec, 1943 | Swiss organist and composer |
Barlow, Clarence Albertson more... | 27 Dec. 1945 Calcutta, India | | alternatively Clarens Baarlo, Klarens Baarlo, Klarenz Barlow, born in India into a family of European descent and culture. Composer mostly of orchestral, chamber, piano, and electroacoustic works. He has lived in Cologne since 1968 and in Amsterdam since 1990 |
Barlow, David (Frederick) more... | 20 May 1927 Rothwell, Nortants | 9 Jun. 1975 Newcastle upon Tyne, England | English composer whose songs including I have desired to go to words by Gerard Manley Hopkins (1844-1889) |
| Barlow, Fred | 2 Oct. 1881 Mulhouse | 3 Jan. 1951 Boulogne, France | French composer of English and Alsatian origin |
| Barlow, Samuel Latham Mitchell | 1 Jun. 1892 New York, USA | | American composer and pianist who wasa student of Ottorino Respighi |
| Barlow, Wayne | 6 Sep. 1912 | | American composer and teacher |
| Bärmann, Heinrich Joseph | 1784 Potsdam, Germany | 1847 Munich, Germany | one of the great clarinet virtuosi of the nineteenth century for whom Weber wrote clarinet works. He wrote music for ensembles including clarinet |
| Bärmann, Karl | 1839 Munich, Germany | 1913 Boston, Mass., USA | pianist, grandson of the above who wrote and published many pieces for piano |
| Barmotin, Semen | 1877 St. Petersburg, Russia | | Russian composer |
| Barnard, Charlotte Allington (née Pye; Claribel) | 23 Dec. 1830 England | 30 Jan. 1869 | published a collection of over 100 ballads in 1858 and two volumes of verse |
| Barnard, John I | 1591 England | c. 1641 England | music editor, publisher and composer of music for viol(s) and for voice(s) |
| Barnby, Sir Joseph | 12 Aug. 1838 York, UK | 28 Jan. 1896 London, UK | organist and choral conductor who wrote many anthems, hymns, oratorios and popular part-songs |
| Barnekow, Christian | 28 Jul. 1837 | 20 Mar. 1913 | Danish composer |
| Bar-Nes, Lea | 1904 Jaffa, Israel | | Israeli composer |
Barnes, Milton more... | 16 Dec, 1931 Toronto, Canada | 27 Feb. 2001 Toronto, Canada | conductor, composer, jazz drummer |
Barnet, Charlie (Charles Daly) more... | 26 Oct. 1913 New York City, NY, USA | 4 Sep. 1991 | bandleader who used the pseudonym Dale Bennet on his songs to avoid the financial demands of his numerous ex-wives. The Barnet big band of 1939 to 1941 was his best known outfit, recording hits such as Cherokee and a spin off of the song called Redskin Rhumba, the latter used as the band's identifying song |
| Barnett, Carol | 1949 | | composer and flutist, she received a Bachelor of Arts and Master of Arts degree from the University of Minnesota, where she studied with Dominick Argento, Paul Fetter and Bernhard Weiser. She served as composer-in-residence with the Dale Warland Singers from 1992 to 2001, and her works have been performed by the Saint Paul Chamber Orchestra, Women’s Philharmonic of San Francisco, Westminster Abbey Choir, and the Ankor Children's Choir of Jerusalem. She is currently a studio artist and adjunct lecturer at Augsburg College in Minnesota. Barnett has composed many choral works, as well as works for orchestra and chamber ensemble |
| Barnett, James G. | | 1885 USA | a composer, conductor, and organist in Connecticut during the latter half of the nineteenth century. Most of his compositions are sacred vocal works |
Barnett, John more... | 15 Jul. 1802 Bedford, England | 16 Apr. 1890 Cheltenham, England | father was born Bernhard Beer in Prussia. He moved to England to work as a jeweller and changed his surname to Barnett. The son was a boy vocalist who later became a singing teacher and composer of stage music, especially the work The Mountain Sylph (first performed at the Lyceum on 25 Aug. 1834) regarded as being the first modern English opera |
Barnett, John Francis more... | 16 Oct. 1837 London, UK | 24 Nov. 1916 | nephew of above, who was an eminent pianist who wrote various works including a cantata entitled The Ancient Mariner which was first performed at the 1867 Birmingham Festival |
| Baron, Ernst Gottlieb | 17 Feb. 1696 | 12 Apr. 1760 | German lutenist, composer and writer on music |
| Baroni-Cavalcabo (von), Julie | 1813 Poland | 1887 | a pianist who studied with the son of Mozart, she composed many fine songs. Schumann dedicated Humoreske to her |
| Barra, Jehan de (Barrat, Hotinet; Jean) | fl. early 16th century | | French composer |
| Barraine, Elsa | 13 Feb. 1910 Paris, France | 20 Mar. 1999 Strasbourg, France | French pianist and composer, she studied composition at the Paris Conservatoire with Paul Dukas. She received premiers prix in harmony in 1925 and in fugue and accompaniment in 1927. In 1929 she received the Prix de Rome for her cantata La vierge guerrière. She worked in French Radio as a pianist, sound recordist and vocal director (1936-40) then as a sound mixer after the war. From 1944 to 1947 she was musical director of the recording firm Chant du Monde. Later Barraine became professor of sight-reading and analysis at the Conservatoire, 1953-1974. Much of her output is for voice, in addition to works for orchestra, chamber ensemble, and dramatic works. Her Wind Quintet from 1931 is published in the famous wind quintet anthology compiled by Albert Andraud. Her solo organ works include: Sole organ works comprise: 1re Prélude et fugue (1928, publ. Durand); 2me Prélude et fugue (1930); Reflets magyars (unpublished, 1961); Musique rituelle for organ, tam-tam, xylophone (1968) [supplementary information provided by Terry L. Mueller] |
| Barraqué, Jean | 17 Jan. 1928 Puteaux, France | 17 Aug. 1973 | born into a middle class family, Jean Barraqué had no intention - despite early piano and violin lessons - of becoming a composer until he was confronted with the "emotional shock" of hearing a gramophone recording of Schubert's Symphony No. 8 "Unfinished" at the age of 12. Schubert and Beethoven became inspirational guiding lights through his years as fledgling composer. Then, in 1948, Barraqué joined Messiaen's celebrated Paris Conservatoire class for analysis and rhythm, where he discovered simultaneously the work of Debussy (about whom he would write at length) and - newly imported into France - the music of Webern. From 1951 to 1954, Barraqué was a member of the ORTF Groupe de Musique Concrète and briefly made use in his music of electronic resources |
| Barraud, Henry | 23 Apr. 1900 Bordeaux, France | 28 Dec. 1997 | worked under Dukas and Aubert and has written orchestral and chamber works |
Barré, Antonio more... | fl. 1551-64 | | French singer, printer, and composer resident in Italy |
| Barre, Michel de la | 1675 | 1743 | an important French composer and flautist. A highly renowned performer, La Barre played in the Académie Royale de Musique, the Musettes et Hautbois de Poitou and court chamber music. Barre’s suites for two unaccompanied flutes (the first of their kind in France) and flute solos and trio sonatas established a French flute style and contributed to the instrument's popularity. La Barre also wrote songs and two opéra-ballets. Rameau's La Vénitienne, in which rondeau form is used for the first time, was certainly inspired by Michel de la Barre’s opera-ballet of the same name written in 1705 |
| Barré, Leonardo [Barrae, Barret] | fl. 1537-after 1555 | | Netherlands composer and singer resident in Italy |
| Barrense Dias, Jose | 1932 Campo Alegre, Bahia, Brazil | 1969 Switzerland | Brazilian guitarist, composer and arranger |
| Barrera Gómez, Enrique | 26 Apr. 1844 Valladolid | 3 Jul. 1922 Valladolid | Spanish composer |
| Barrett, John | 1674 | between 1719 and 1735 | English composer and organist, a pupil of John Blow, who contributed songs to Mercurius Musicus. In 1700 he collaborated with Blow, Jeremiah Clarke, Francis Piggott, and Croft in a Choice Collection of Ayres for the Harpsichord or Spinnet. He was for some time music master of Christ's Hospital, and later organist of Christ Church, Newgate Street (London) and St. Mary-at-Hill, Billingsgate (London) |
Barrett, Natasha more... | 1972 Norwich, UK | | her compositional output consists of works for instruments and live electronics, sound installations, dance, theatre, and animation projects, but all activity is rooted in her work with acousmatic tape composition, which features most strongly amongst her creations |
Barrett, Richard more... | 7 Nov. 1959 Swansea, Wales | | British composer, now resident in Germany, of mostly chamber, vocal and electro-acoustic works |
Barri, Odoardo (real name: Edward Slater) more... | 1844 Dublin, Ireland | 1920 London, UK | popular composer of Edwardian drawing-room songs. Barri himself claimed to have been born in Como. Supposedly he was trained by the Jesuits, became an oratorio singer in Italy and Spain, and was for a time a tenor soloist at the Vatican. He is said to have fought at the battle of Solferino in 1859 before settling in London, where he headed the Odoardo Barri School of Voice Culture for over fifty years. Of his religious, theatre and drawing-room music, little is now heard beyond the stirring setting of The Old Brigade |
| Barrière, Etienne-Benard-Joseph | 7 Oct. 1748 Valenciennes | 1816 or 1818 possibly Paris, France | French composer and violinist |
Barrière, Françoise more... | 1944 Paris, France | | composer, co-founder and director of the International Institute of Electroacoustic Music of Bourges, director of the International Festival Synthèse and the Bourges Competitions |
| Barriere, Jean | 18 Jul. 1670 France | 6 Jul. 1747 France | Barriere left a legacy of important cello works. His 4 books of sonatas escaped the prevalent Italian shadow and made him France's most important composer for the cello |
Barrière, Jean-Baptiste
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