| Name | Born | Died | Information |
Caballero, M(anuel) F(ernández) more... | 14 Mar. 1835 Murcia, Spain | 26 Feb. 1906 Spain | Spanish composer |
Cabanilles (alternatively: Cavanilles), Juan Bautista José (alternatively: Josep) more... | 6 Sep. 1644 Algemesí, Valencia, Spain | 29 Apr. 1712 Valencia, Spain | Spanish composer and organist. He probably began as a chorister at his local church; later he moved to Valencia, where he became second organist in 1665 and first organist the following year. In 1668 he was ordained to the priesthood. His works include sacred vocal works (a 6-voice Mass, a Magnificat, a Beatus vir, motets in Spanish) and many organ works, especially tientos. Cabanilles is considered by many the greatest (and certainly the most prolific) Spanish Baroque composer. He was certainly the greatest of the Valencian composers of organ music, and together with Correa de Araujo the most important Spanish organists of the 17th century |
Cabezón, Antonio de more... | 1510 Castrillo de Matajudos, Spain | 26 Mar. 1566 Madrid, Spain | blind from birth, organist and harpsichord as well as composer principally of keyboard music who from 1548 worked in the service of Emperor Philip II. He is the author of Obras de Musica para Tecla y Harpa y Vihuela and he also wrote what is among the earliest surviving music for solo organ |
Cabezon, Hernando de more... | 7 Oct. 1541 Spain | 1602 Spain | son of the above, music publisher and composer |
Cable, Howard more... | 15 Dec. 1920 Toronto, Canada | | Canadian composer, conductor and arranger |
Cabus, Peter more... | 1923 | 2000 | Flemish composer |
Cacciapaglia, Roberto more... | 1953 Milan, Italy | | composer, pianist and record producer |
Caccini (Signorini), Francesca (La Cecchina) more... | 18 Sep. 1587 Florence, Italy | c.1640 Florence, Italy | Italian composer, singer, lutenist, poet, and music teacher of the early Baroque era. She was the daughter of Giulio Caccini, and was probably the most famous and influential female European composer, in any genre, between Hildegard of Bingen in the 12th century and the 19th century. She became the first Eurydice in Peri’s Dafne in 1600. She published several volumes of her compositions and also wrote poetry in the Latin and Tuscan languages. She wrote and sang in the opera La liberazione di Ruggiero dall' isola d'Alcina |
Caccini [Romano], Giulio more... | 8 Oct. 1551 Rome, Italy | 10 Dec. 1618 Florence, Italy | father of Francesca, and one of the pioneering figures in the development of early Italian opera, Eurydice produced in 1600; composer of a book of madrigals and canzonets, Le nuove musiche which appeared in 1601 |
Caccini, Settimia more... | 6 Oct. 1590 Italy | c.1638 Italy | like her sister Francesca also a composer |
| Caceres (Caseres, Casseres), Abraham | eighteenth century | | prominant composer of Jewish music in 18th century Holland. Descended from a Jewish family which probably originated in Portugal (the town of Caceres lays in Portugal), the first time his name appears in documents is in 1718, as the composer of the music for the celebration of the confraternity lekach tov (a good lesson/conclusion) which was founded in that year for studying religious texts. Eight years later, in 1726, he composed the music for the inauguration of the synagogue Honen Dal (redeemer of the poor) in The Hague. He wrote also the music for two of Immanuel Hay Ricchi 's poems in his book Hon Ashir (Rich fortune). Later, in 1738 in the celebration of Simchat Torah , he is mentioned as composer and player |
| Cadenet, Pierre | fl. 1200-30 | | troubadour |
Cadicamo, Enrique [pseudonym: Rosendo Luna] more... | 15 Jul. 1900 nr. Buenos Aires, Argentina | 3 Dec. 1999 Buenos Aires, Argentina | Argentinean poet and composer |
Cadman, Charles Wakefield more... | 24 Dec. 1881 Johnstown, PA, USA | 30 Dec. 1946 Los Angeles, CA, USA | a composer inspired by American Indian themes who wrote operas, the Pennsylvania Symphony which includes the banging of an iron plate), orchestral suites, chamber music and a large number of songs |
Caesar, Irving [Isidor] more... | 4 Jul. 1895 New York, USA | 18 Dec. 1996 New York, USA | American lyricist and composer |
Caesar, Rodolfo more... | 1950 Rio de Janeiro, Brazil | | graduated from the Instituto Villa-Lobos, UNIRIO. He had previously studied electroacoustic composition at the Groupe de Recherches Musicales (GRM), Paris. As a student of Pierre Schaeffer he came to work directly with some of the most important composers of the genre. Back in Brazil he has started to teach as well, and, in conjunction with Tim Rescala, to develop the Estúdio da Glória. Later he completed a PhD in electroacoustic composition at the University of East Anglia, in Norwich, England, and now works in his private studio. He is also responsible for the music laboratory at the Escola de Música at the UFRJ |
| Cafaro [Caffaro], Pasquale | 8 Feb. 1716 S Pietro in Galatina, nr. Lecce | 23 Oct. 1787 Naples | Italian composer |
| Caffi, Francesco | 14 Jun. 1778 Venice, Italy | 24 Jan. 1874 Padua, Italy | Italian composer |
Cage, John more... | 5 Sep. 1912 Los Angeles, USA | 12 Aug. 1992 | pupil of Schönberg and exploited of the 'prepared' piano; a musical visionary, his music being described by one commentator as 'disembodied beauty of sound without association, without precedented timbre or form, without aesthetic antecedent' - he has explored the essence of music, pitch, timbre, and sound itself |
| Cagnoni, Antonio | 8 Feb. 1828 Godiasco, nr. Voghera | 30 Apr. 1896 Bergamo, Italy | Italian composer |
| Cahen [Cahen d'Anvers], Albert | 8 Jan. 1846 Paris, France | 23 Feb. 1903 Cap d'Ail, nr. Monte Carlo | French composer |
Cahn, Sammy [Samuel Cohen] more... | 18 Jun. 1913 New York, NY, USA | 15 Jan. 1993 Los Angeles, CA, USA | American violinist and song writer |
Caietain (or Cajetan), Fabrice-Marin more... | c.1540 Gaeta, Italy | c.1578 | Italian-born composer who worked in France and was influenced by the theories of l'Académie de Poésie et de Musique |
Caimo, Giuseppe (Gioseppe) more... | c. 1540 Milan, Italy | 1584 Milan, Italy | organist and composer |
| Cailo, Giovanni Carlo | 1610 | 1688 | Neapolitan composer and organ player. His Stabat Mater a cinque voci is considered to be a trendsetter for a range of well-known (and less well-known) Stabats composed in Naples (A.Scarlatti, Astorga, Fago, Pergolesi), all belonging to the so called Neapolitan School. This refers to the Neapolitan culture in opera, which became an enormous influence in church music. These compositions are divided into self-contained units (chorals, recitatives, arias, etc) and the text is expressed in an operatic manner |
Caine, Uri more... | 8 Jun. 1956 Philadelphia, USA | | jazz pianist and composer |
Caix, d'Hervelois, Louis de more... | c. 1670 Paris, France | 1760 Paris, France | famous as a performer on the viola da gamba, for which instrument he composed many fine works |
| Cajetan, Fabrice-Marin (see Caietain) | | | |
| Calace, Raffaele | 1863 Naples, Italy | 1934 Naples, Italy | son of Antonio Calace, a successful instrument maker, Raffaele discovered the possibilities of the mandolin and became an unequalled mandolin virtuoso. After he had graduated with honours at the Regio Conservatorio di Musica in Naples, he intended to give the mandolin its rightful place in music. To achieve this, he toured through Europe and Japan, and made three long-playing records. Raffaele wrote about 200 compositions that belong to the most beautiful and technically difficult works written for the mandolin. He also wrote didactical works, among which a method for playing the Liuto Cantabile (a 5-double stringed mandoloncello) and his much-praised mandolin method. This was published in 1910 and elaborates on the eighteen-century Italian mandolin methods by Giovanni Battista Gervaiso (c. 1725-c. 1785), Gabriele Leone (c. 1725-c. 1790) and others |
| Calandra [Calandria, Calandro], Nicola | fl. 1740-1760 | | Italian composer particularly of operas |
Caldara, Antonio more... | 1670/71 Venice, Italy | 26/8 Dec. 1736 Vienna, Austria | Italian baroque composer who wrote over 70 operas, 30 oratorios, motets, masses and string sonatas |
Caldeira Cabral, Pedro more... | 1950 Lisbon, Portugal | | as a child he began studying Portuguese guitar, classic guitar and the recorder (flute). In 1970 he began studying lute, viola da gamba and other old string and wind instruments. Later he founded and directed the bands La Batalla and Concerto Atlântico which specialised in old music played on historical instruments. Between 1967 and 1975, he took various courses on contemporary music composition and worked with Karel Goyvaerts, Constança Capdeville, José Alberto Gil and Jorge Peixinho |
| Caldicott, Alfred James | 26 Nov. 1842 Worcester, England | 24 Oct. 1897 nr. Gloucester, England | English composer |
Caldwell, John more... | 1947 Rochester, NY, USA | 13 Jan. 1995 Clarion, PA, USA | composer, art curator, music critic who studied music, art and literature at Allegheny College undertaking composition studies with Harold Boatrite. John Caldwell composed works for orchestra, band, chorus, chamber ensembles, and solo marimba |
Cale, John more... | 9 Mar. 1940 Crynant, Wales | | worked with the Velvet Underground where he played violin and bass. Cale is also known for producing The Stooges' first album (featuring Iggy Pop). as well as producing Siouxsie & the Banshees' last album. He has worked both as a composer and an actor in film |
| Calegari, Cornelia (Maria Caterina) | 1644 | after 1675 | an organist and singer who became a nun in 1661. Her first book of motets was published when she was fifteen and it met with considerable success |
| Calegari (or Callegari), Antonio | 17 Feb. 1757 Padua, Italy | 22 Jul. 1828 Padua, Italy | Italian composer |
| Calegari (or Callegari), Giuseppe | c.1750 Padua, Italy | 1812 Padua, Italy | Italian composer |
| Calegari, Luigi Antonio | c.1780 Padua, Italy | 1849 Venice, Italy | Italian composer |
Calexico more... | | | a band from Tucson, Arizona, US comprising Joey Burns and John Convertino, named composer of music for the films L' Amour, l'argent, l'amour (2000) and Committed (2000) |
Caliendo, Christopher more... | | |
guitarist, conductor, teacher, publicist and composer of over five hundred classical/world music compositions, including those in the American tango, American gypsy and chamber jazz genres. Christopher has an AA in Humanities and a BA from the New England Conservatory of Music and an MFA from UCLA in Theory/Composition. His teachers include Henry Mancini, Frank Zappa, Jerrold Immel, Neal Hefti, Henry Lazarof, Paul Reale and Pierrre Boulez |
| Califano, Arcangelo | early 18th century | | Italian composer |
| Califona, Aniello | 1870 | 1919 | composer/lyricist of Vieni Sul Mar, based on an old Neopolitan waltz, made popular by Enrico Caruso, but well known before his time, and of O surdato 'nnammurato, Carmela mia, Ninì tirabusciò |
Calkin, James more... | 19 Sep. 1786 London, England | 18 Jan. 1862 London, England | pianist, violinist and cellist who composed orchestral, chamber and piano music |
Calkin, Joseph (also called Tenielli Calkin after his mother who was born Tenniel) more... | 13 Jan. 1816 London, England | 6 Jun. 1874 London, England | son of above and tenor, who became a fine teacher and composer of songs |
Calkin, John Baptiste more... | 16 Mar. 1827 London, England | 15 Apr. 1905 Crouch End, Middlesex, England | brother of above, organist; composer of church music, glees, part-songs and music for piano and organ |
Calkin, George more... | 10 Aug. 1829 London, England | 13 Jul. 1911 Hampstead, London, England London, England | cellist, organist, choral director; composer of music for organ and choir |
Call, Leonard von more... | 1779 Tyrol, Austria | 1815 Austria | Austrian guitarist and composer known particularly for his music for guitar as well as for 16 published collections of songs for male voice choir which established the tradition of male voice singing in Vienna |
Callaerts, Joseph more... | 22 Aug. 1838 Antwerp, Belgium | 3 Mar. 1901 Antwerp, Belgium | spent his whole life in Antwerp, his native city, where he built up a successful career as an organist, composer and teacher |
| Callaway, Ann | 1949 | | she began her musical training in Baltimore with Grace Newsom Cushman and continued at Smith College with Alvin Etler. She received graduate degrees from the University of Pennsylvania and Columbia University, where she studied with George Crumb, Jack Beeson, and George Edwards. Her music has been broadcast on both coasts of the United States and she is the subject of a documentary produced by Swedish Radio. Callaway has received a Guggenheim Fellowship, commissions from the National Endowment for the Arts and the American Guild of Organists, and has held residencies at the MacDowell Colony, Yaddo, and the Leighton Artist Colony in Banff. Her works have been performed by the Seattle Symphony, the Cleveland Chamber Symphony, and the Saint Louis Symphony Orchestra. She has composed many chamber and orchestral works, in addition to several song cycles and works for chorus |
Callcott, John Wall more... | 1766 London, England | 1821 London, England | composer of glees and catches |
Callcott, William Hutchins more... | 1807 London, England | 1882 London, England | son of above; also composer of glees and catches |
Callhoff, Herbert more... | 13 Aug. 1933 Viersen, Germany | | German composer |
Calloway, Cab more... | 25 Dec. 1907 Rochester, New York, USA | 18 Nov. 1994 Hockessin, Delaware, USA | famous American jazz singer and bandleader |
Calmel, Roger more... | 13 May 1920 Languedoc, France | 4 Jul. 1998 Paris, France | French composer. His nearly 400 works span every genre, from chamber music to opera |
Calthorpe, Nancy more... | 1914 Waterford, Ireland | 1998 Dublin, Ireland | Irish harpist, arranger and composer |
Calvi, Carlo more... | | | Italian composer who wrote Intavolatura de chitarra e chitariglia |
Calvisius, Sethus (born: Seth Kalwitz) more... | 21 Feb. 1556 Gorsleben, Germany | 24 Nov. 1615 Leipzig, Germany | German music theorist, composer, chronologer, astronomer, and teacher of the late Renaissance. |
Calvo Cantero, Charo more... | | | studied singing and music theory, contemporary dance and dramatic art in Madrid and Brussels. In the 1980s, she was a dancer in Brussels. She then studied electronic music at Antwerpen Conservatoire and electoacoustic composition at Mons with Annette Vande Gorne. Charo has worked on the sound design and music for many theatre and dance projects, for films and dance videos |
Camacho, João more... | 11 Jan. 1972 Luanda, Angola | | Portuguese music teacher, teacher and composer |
Cambert, Robert more... | c.1628 Paris, France | Feb./Mar. 1677 London, England | harpsichordist and organist; His opera Pomone was one of the earliest examples of French opera. It is believed that he lost his opera monopoly to Lully whereupon he moved to London, and was reputedly murdered there by his valet |
Cambini, Giuseppe Maria (Gioacchino) more... | 13 Feb. 1746 Livorno, Italy | 29 Dec. 1825 Bicêtre | Italian-born composer |
Camerloher (or Camerlocher, Cammerlocher), Placidus Cajetan von more... | 9 Aug. 1718 Murnau | 21 Jul. 1782 Freising | composer, lutenist and organist |
Cameron, John more... | 1944 | | English composer, arranger and music supervisor for film, TV and ttheatre |
Camidge, John the elder more... | 1734 | 1803 | organist and composer of chants |
Camidge, John the younger more... | 1790 York, England | 21 Sep. 1859 York, England | son of Matthew Camidge, organist and composer of chants |
Camidge, Matthew more... | 1764 England | 1844 | son of John Camidge the elder, organist, composer of piano sonatas and chants and editor of cathedral music |
Camilleri, Charles Mario more... | 1931 Malta | | a composer who has been inspired by Maltese and African sources and whose works include a opera Melita, Missa Mundi for organ and Abongo for wind quintet |
Camilleri, Lelio more... | 1957 Rome, Italy | | Professor of Electronic Music at the GB Martini Conservatory of Music (Bologna, Italy). Since 1999, he also teaches music and multimedia in the Master Program on Multimedia organized by the University of Florence and the RAI (Italian Radio and Television). He has composed electronic and instrumental works which have been performed in Europe, North America, South America, and New Zealand, and broadcasted by the Italian, Belgian, Australian and Argentinean radios |
Camilleri, William more... | London, UK | | composer of music managed by Sandra Marsh management in Beverly Hills whose website is www.filmworks-online.com |
Camilo, Michel more... | 4 Apr. 1954 Santo Domingo, Dominican Republic | | pianist and composer, known as an outstanding jazz, Latin and classical pianist |
Camm, Cheryl more... | Worksop, England | | English composer and educator, who spent many years studying working in New Zealand |
Camp, Hamilton more... | 30 Oct. 1934 London, England | 2 Oct. 2005 | British-born singer, songwriter, and actor. Camp was evacuated during WWII to the United States as a child with his mother and sister(s). He became a child actor in films and onstage, originally performing under the name Bob Camp |
| Campa, Gustavo E(milio) | 8 Sep. 1863 México | 29 Oct. 1934 México | Mexican composer |
Campagnoli, Bartolomeo more... | 10 Sep. 1751 Cento di Ferrara, Italy | 6 Nov. 1827 Neustrelitz, Germany | Italian violinist and composer |
| Campana, Fabio | 14 Jan. 1819 Livorno, Italy | 2 Feb. 1882 London, England | Italian composer |
| Campana, Francesca | | 1665 Rome | published composer who was also considered one of the finest singers in Rome. Campana composed and played the spinet as well |
Campanus, Johannes Vodnianus (Jan Vodnanský Campanus; Jan z Vodnan, Jan Campanus-Vodnanský, Jan Kampánus Vodnanský, Ionnes Campanus Vodnianus) more... | 27 Dec. 1572 Vodnany, Bohemia | 13 Dec. 1622 Prague | Czech humanist, composer, pedagogue, poet, and dramatist. He studied at the University of Prague and in 1596 and was made Master of Liberal Arts there. He became a teacher in Prague and Kutná Hora. From 1603 he taught Greek and Latin at the University of Prague. He also taught history and Latin poetry. He was repeatedly appointed as dean, prorector, and rector of this university |
| Campbell, Alexander | 22 Feb. 1764 Tombea, Perths., Scotland | 15 May 1824 Edinburgh, Scotland | Scottish composer |
| Campbell, Bruce | | | one of several writers who owed much to his association with Robert Farnon, he was a fellow Canadian, who actually came to Britain some years before Farnon, and played trombone with various British bands during the 1930s including Ambrose, Jack Harris, Jack Hylton, Sid Millward, Hugo Rignold and Lew Stone. Campbell assisted Farnon on his post-war BBC radio shows, and eventually became a frequent contributor to various mood music libraries. Skippy> is still familiar to older TV viewers in Britain as the theme for Seeing Sport |
| Campbell, Malcolm (Calum) | 13 Apr. 1937 Benbecula, Scotland | 11 Jan. 2005 Benbecula, Scotland | Scottish piper and composer of music for the pipes. In the tradition of earlier times, he composed tunes to commemmorate people and events in the local community. His march Bain's Welcome to Creagorry and his jig Hercules the Bear, composed in 1980, remembered when, during the making of a television commercial, the beast escaped from his handler |
| Campbell, Mary Maxwell | 1812 Scotland | 1886 | composer of songs |
Campen, Ank van more... | 1932 The Netherlands | | harpist and composer |
Campenhout, François van more... | 5 Feb. 1779 Brussels, Belgium | 24 Apr. 1848 Brussels, Belgium | tenor, violinist and opera composer who also composed the Belgian national anthem La Brabançonne |
Camphouse, Mark more... | 1954 Oak Park, Illinois | | American professor of music and composer |
Camphuysen, Dirk Rafelsz more... | 1586 Gorinchem, The Netherlands | 9 Jul. 1627 Dokkum, The Netherlands | Dutch painter, poet, composer, musical and literary theorist and theologian |
Campion, François more... | 1685 | 1747 | composer, guitarist and lutenist, the dominant composer for the guitar in the first third of the 18th century. He composed works of groundbreaking complexity and indeed he may have been the only composer to write fugues for the guitar |
Campion, Thomas (Campian) more... | 12 Feb. 1567 London, England | 1 Mar. 1620 London, England | English poet, physician, and composer of over 100 lute songs |
| Campioni (or Campione, Campion) Charles Antoine (or Carlo Antonio) | 16 Nov. 1720 Lunéville | 12 Apr. 1788 Florence, Italy | French-born composer |
Campo, Conrado del (full name: Conrado del Campo y Zabaleta) more... | 28 Oct. 1879 Madrid, Spain | 17 Mar. 1953 Madrid, Spain | composer of operas, symphonic poems, chamber and choral music |
Campo, Régis more... | 1968 Marseille, France | | French composer of stage, orchestral, chamber, choral, vocal, piano, and organ works that have been performed throughout Europe, as well as in Japan, the USA and elsewhere |
Campogrande, Nicola more... | 9 Oct. 1969 Turin, Italy | | Italian composer [information provided by the composer] |
Campos, Augusto de more... | 1931 São Paulo, Brazil | | founder of the Concrete poetry movement in Brazil, he is also a translator, music critic and visual artist |
Campra, André more... | 4 Dec. 1660 Aix-en-Provence, France | 29 Jun. 1744 Versailles, France | composer, initially of sacred music, who in his 40s turned to writing secular works for the stage and opera-ballets. He was choir-master in Toulon, Arles and Toulouse, and was appointed music master at Notre-Dame de Paris in 1694. From 1695, he devoted himself to the opera repertory, much to the despair of musical chronicler Lecerf de la Viéville who wrote: "... if the poor boy had not deserted the Church to go and serve the Opera, I think Italy would be hard put to contend with us successfully." Composer at the Chapelle Royale, then inspector of the Opera, he succeeded in cultivating both the French spirit and the Italian taste, secular repertory and sacred music at the same time |
| Camps, Pompeyo | 27 Oct. 1924 Paraná | 1997 Buenos Aires, Argentina | Argentinean composer |
Camus, Sebastien le more... | c. 1610 Paris, France | 1677 Paris, France | French composer, also a virtuoso gamba and theorbo player |
| Camussi, Ezio | 16 Jan. 1877 Florence, Italy | 11 Aug. 1956 Milan, Italy | Italian composer |
| Canal, Marguerite | 29 Jan. 1890 Toulouse, France | 27 Jan. 1978 Cépet, nr. Toulouse, France | French composer |
Canales, Manuel more... | 1747 Toledo, Spain | 1786 Toledo, Spain | Spanish composer |
Canaro, Francisco more... | 26 Nov. 1888 San Jose de Mayo, Argentina | 14 Dec. 1964 Buenos Aires, Argentina | composer particularly of tangos and successful bandleader |
Canat de Chizy, Edith more... | 26 Mar. 1950 Lyon, France | | French violinist and composer |
Canavas (Canavasso), Jean Baptiste (l'aîné) more... | 25 Mar. 1713 Turin, Italy | 7 Jun. 1784 Paris, France | Italian cellist and composer |
Canavas (Canavasso), Joseph (le cadet) more... | c.1714 Turin, Italy | 26 Sep. 1776 Paris, France | Italian violinist and composer |
| Canazzi, Antonio | fl. 1653 | | Italian composer |
| Candeille, Pierre Joseph | 8 Dec. 1744 Estaires | 24 Apr. 1827 Chantilly | French composer |
| Candeille-Simons, Amelie June (Julie) | 31 Jul. 1767 Paris, France | 4 Feb. 1834 Paris, France | composed many works including an operetta that was performed at Theatre Francaise in 1792 |
Cangiasi, Giovanni Antonio more... | before 1590 Milan, Italy | in or after 1614 Italy | Italian composer and organist |
Canino, Bruno more... | 30 Dec. 1935 Naples, Italy | | Italian classical pianist and composer |
Canis, Cornelius (de Hondt, d'Hondt) more... | c.1505 | 1561 | Franco-flemish composer. Master of choirboys and later maitre de chapelleat the court of Emperor Charles V in Brussels from no later than 1542 until about 1555. From 1557 held posts in churches in Courtrai |
Cannabich, (Johann) Christian (Innocenz Bonaventura) more... | bap. 28 Dec. 1731 Mannheim, Germany | 20 Jan. 1798 Frankfurt-am-Main, Germany | violinist and conductor, a member of the Mannheim school of composers; composed symphonies, operas, ballets and chamber music as well as a cantata in memory of Mozart written in 1797. Cannabich probably conducted at the premiere of Mozart's Idomeneo K.366 in Munich where he was the director of its Court orchestra |
Cannabich, Karl more... | bap. 11 Oct. 1771 Mannheim, Germany | 1/2 May 1806 Munich, Germany | German composer |
Canning, Thomas more... | 12 Dec. 1911 Brookville, PA, USA | 1989 Rochester, USA | American composer |
Cannio, Enrico more... | 1874 Naples, Italy | 1949 Naples, Italy | Italian musician and composer |
Cannon, (Jack) Philip more... | 21 Dec. 1929 Paris, France | | pupil of Imogen Holst; writer of songs, a concertino for piano and strings and Songs to Delight for women's choir |
| Canobbio, Carlo | 1741 possibly Venice, Italy | 7 Mar. 1822 St Peterburg, Russia | Italian-born composer |
Canova da Milano, Francesco more... | | | an Italian lutenist virtuoso and composer of the Renaissance who wrote several books of music for lute. Some of his works are still famous today and are frequently performed |
Canteloube (de Malaret), Marie-Joseph more... | 21 Oct. 1879 Annonay, France | 4 Nov. 1957 Grigny, France | pianist, conductor and collector of folk-song; his most famous work is his arrangement of folk-songs entitled Songs of the Auvergne for soprano accompanied by piano or orchestra [correction supplied by Francois Favre] |
| Cantemir, Dimitrie (Dimitrius) | 1673 Moldavia | 1723 | Dimitrius Cantemir stands among the great historical figures from the East. He led a life of travel, migration, and exile. He was a Moldavian prince as well as Knaez of Russia. Cantemir was active as an authority in history, philosophy, theology, diplomacy, geography, ethnology, literature, and most importantly for us, music. He played the tanbour (an Ottoman plucked stringed instrument) admirably, he composed masterpieces, and invented a style of notation that served his purposes and assured the survival of his own works as well as of some 300 works he knew and played |
Cantone (Cantoni), Serafino more... | fl. 1580-1627 | | Italian composer and organist |
Cantuária, Vinicius more... | 29 Apr. 1951 Manaus, Brazil | | Brazilian singer, songwriter, guitarist, drummer and percussionist, associated with Bossa nova and Brazilian jazz |
| Canuti, Giovanni Antonio | c.1680 Lucca, Italy | Apr. 1739 Lucca, Italy | Italian composer |
Capdenat, Philippe more... | 17 Jul. 1934 Bordeaux, France | | French composer and organist |
| Capdeville, Constança | 1937 Barcelona, Spain | 1992 Lisbon, Portugal | Portuguese composer of Catalan origin. She studied with Croner de Vasconcellos at the Conservatório Nacional. As a teacher she had an enormous influence on a whole generation of contemporary Portuguese composers
[entry provided by Carlos Alberto Augusto] |
| Capdevielle, Pierre | 1 Feb. 1906 Paris, France | 9 Jul. 1969 Bordeaux, France | French composer |
Capelletti, Daniel more... | 20 Sep. 1958 Luxembourg | | pianist and composer |
| Capelli (or Capello, Cappelli, Capella), Giovanni Maria | 7 Dec. 1648 Parma, Italy | 16 Oct. 1726 Parma, Italy | Italian composer |
Capello, Giovanni Francesco more... | fl. 1615 | | seventeenth-century Italian composer |
Capet, Lucien more... | 1873 Paris, France | 1928 Paris, France | violinist and composer |
Caplet, André more... | 1878 Havre, France | 1925 Paris, France | conductor and composer, friend of Debussy some of whose works he arranged for orchestra; he wrote orchestral and choral works as well as chamber music and songs |
Capio (or Capion), Iseut (or N'Iseut) de more... | c. 1140 | after 1190 | noblewoman and trobairitz from Gévaudan, France |
Capirola, Vincenzo more... | 1474 probably Brescia, Italy | after 1548 Italy | an Italian composer, lutenist and nobleman of the Renaissance. His music is preserved in an illuminated manuscript called the Capirola Lutebook, which is considered to be one of the most important sources of lute music of the early 16th century |
Caplet, André more... | 23 Nov. 1878 Le Havre, Normandy, France | 22 Apr. 1925 Neuilly-sur-Seine, France | French composer and conductor now known primarily through his orchestrations of works by Claude Debussy |
Capocci, Gaetano more... | 16 Oct. 1811 Rome, Italy | 11 Jan. 1898 Rome, Italy | organist and composer of church music |
Capocci, Filippo more... | 11 May 1840 Rome, Italy | 25 Jul. 1911 Rome, Italy | son of above, organist and composer of organ music |
Capponi, Abate Ranieri more... | fl. seventeenth century | | Italian composer who died in about 1700 |
Cappus, Jean Baptiste more... | c. 1700 | c. 1749 | French composer |
| Capranica [Capranico], Matteo | 26 Aug. 1708 possibly Amatrice, Rieti | after 1776 Naples | Italian composer |
Capricornus [Bockshorn], Samuel Friedrich more... | 21 Dec. 1628 Zercice, nr. Mlodá Boleslav | 10 Nov. 1665 Stuttgart | South-German violinist and composer |
Caprioli, Antonio more... | fl. 1500 | | Italian composer |
| Caproli (or Caprioli) Del Violino, Carlo | c.1617 Rome, Italy | c.1693 Rome, Italy | Italian violinist and composer |
Capron, Henri more... | fl. 1785-1795 | | American cellist, composer, impresario and teacher of French origin |
Capua, Eduardo di more... | 12 Mar. 1865 Naples, Italy | 3 Oct. 1917 Milan, Italy | Italian singer and songwriter |
| Capuana, Franco | 29 Sep. 1894 Fano, Italy | 10 Dec. 1969 Naples, Italy | Italian composer |
Capuzzi [Capucci], Giuseppe Antonio more... | 1 Aug. 1755 Breno, Brescia | 28 Mar. 1818 Bergamo, Italy | Italian composer |
Capuzzo, Maura more... | 1963 Padua, Italy | | Italian composer who is member of Agon Milano (centre for research, developing and performing of electroacoustic music). Her works and electroacoustic pieces have been performed in Italy, United States, Germany and Asia by many musicians, among others, Irvine Arditti, Francesco Filidei, Taipei hamber singers, Italian flute Quartet, Kettwiger Bach Ensemble and Chamber Choir of the University of Florence. |
Cara, Marchetto more... | c.1470 Italy | probably 1525 Mantua, Italy | Italian composer, lutenist and singer of the Renaissance. He was mainly active in Mantua, was well-connected with the Gonzaga and Medici families, and along with Bartolomeo Tromboncino, was well known as a composer of frottolas |
Carafa (de Colobrano), Michele [Michel] (Enrico-Francesco-Vincenzo-Aloisio-Paolo) more... | 17 Nov. 1787 Naples, Italy | 26 Jul. 1872 Paris, France | Italian opera composer |
| Carapella, Tommaso | c.1654 Cerreto Sannita | 20 Sep. 1736 Naples | Italian opera composer |
| Carasali, Odoardo | fl. 1736 | | Italian composer |
Carcani (or Carcano), Giuseppe [Gioseffo] more... | 1703 Cremona, Italy | Jan. 1779 Piacenza, Italy | Italian composer |
Carcassi, Matteo more... | 1792 Florence, Italy | 16 Jan. 1853 Paris, France | guitarist, composer and teacher |
Càrceres, Bartomeu more... | fl. 16th century | | Valencian musician, copyist and composer |
Cardenal, Peire more... | late 12th century Puy-en-Velay, France | c.1278 | a Provençal troubadour known for his satirical pieces and for his dislike of the clergy |
Cardew, Cornelius more... | 1936 England | | guitarist and pupil of Ferguson, later associated with Stockhausen; his music falls into three distinct styles: conventional music for small chamber groups and solo performers, works in which the performers make a free choice of the notes to be played, and his political works inspired by Maoist ideas |
Cardillo, Salvatore more... | 1874 | 1947 | Italian songwriter whose richly scored sentimental Napuletano classic Core 'ngrato ('Ungrateful heart') written in 1911 for Enrico Caruso, has remained ever since a staple of the Italian tenor concert repertoire |
Cardonne, Jean-Baptiste [Philibert] more... | 26 Jun. 1730 Versailles, France | after Aug. 1792 | French composer |
Cardoso, Jorge more... | 1949 Posadas, Argentina | | concert guitarist, composer and musicologist, Jorge Cardoso is also medical doctor at the National University of Cordoba Argentina, (1973) |
Cardoso, Manuel more... | bap. 11 Dec. 1566 Fronteira, Portugual | 24 Nov. 1650 Lisbon, Portugual | Portuguese composer and organist |
Cardy, Patrick more... | 22 Aug. 1953 Toronto, Canada | 24 Mar. 2005 Ottowa, Canada | Canadian composer, teacher and flautist |
Carena, Felice (Felix) more... | | | Italian composer, not to be confused with the Venetian painter of the same name (1879-1966) |
Caresana, Cristoforo more... | c.1640 Venice, Italy | 1709 Naples, Italy | Italian composer |
Carey, Henry more... | c.1688 York, England | 5 Oct. 1743 London, England | English composer |
| Carisio, Giovanni Il Orbino; Il Cieco | c.1627 Turin, Italy | 7 Nov. 1687 Turin, Italy | Italian composer |
Carissimi, Giacomo more... | bap. 18 Apr. 1605 Marino, Papal States | 12 Jan. 1674 Rome | when 18 he is mentioned as a singer at the Cathedral in Tivoli, but in 1627 he is appointed maestro di cappella at St. Ruffino, Assisi, and in 1630 he moves finally to become maestro di cappella of the Collegium Germanicum Hungaricum in Rome. He is considered the father of modern oratorio and as an outstanding teacher, among whom there are many noted composers such as Alessandro Scarlatti, Johann Kasper Kerll, Jakob Baudrexel, Kaspar Förster (who was probably Buxtehude's teacher), Johann Philip von Krieger, Christophe Bernard, and Marc-Antoine Charpentier (who ranked his teacher with Lully) |
Carle, Frankie [né: Francis Nunzio Carlone] more... | 25 Mar. 1903 Providence, RI, USA | 7 Mar. 2001 Mesa, AZ, USA | American pianist, bandleader and composer whose theme song was Sunrise Serenade |
Carlebach, Neshama more... | 1974 | | daughter of the Jewish singer-songwriter Rabbi Shlomo Carlebach, who is a singer in her own right, the protege of her late father |
Carlebach, Shlomo more... | 14 Jan. 1925 Berlin, Germany | 20 Oct. 1994 USA/Canada | Jewish religious teacher, composer, and singer |
Carleton, Bob more... | 1896 | 1956 | American pianist and composer |
Carleton (Carlton, Charlton), Nicholas (the elder) more... | c.1570 | 1630 | English composer |
Carleton, Richard more... | c.1558 | c.1638 | composer of madrigals and instrumental music of whose biography absolutely nothing is known |
Carlevaro, Abel more... | 1918 Montevideo, Uruguay | 2001 | an exceptional virtuoso, classic guitar composer and teacher |
Carlevaro, Alvaro more... | 1957 Montevideo, Uruguay | | guitarist and composer |
Carlos, Wendy (Walter) more... | 14 Nov. 1939 Pawtucket, USA | | American composer |
| Carlson, Bengt | 1890 Finland | 1953 | Finnish choral composer |
Carlstedt, Jan more... | 15 Jun. 1926 Orsa, Sweden | 2004 | Swedish composer |
Carlton, Richard more... | 1955 United Kingdom | | British-born Australian guitarist and composer |
Carluccio-Leante, Francesco more... | 1953 Verona, Italy | | Italian composer |
Carmichael, Hoagy more... | 22 Nov. 1899 Bloomington, Indiana, USA | 27 Dec. 1981 Rancho Mirage, California, USA | American composer, pianist, singer, actor, and bandleader |
Carmona, Juan more... | 1963 Lyons, France | | flamenco guitarist and composer |
Carnicer (y Batile), Ramón more... | 24 Oct. 1789 Tárrega, nr. Lérida | 17 Mar. 1855 Madrid, Spain | Spanish composer |
| Carniolus, Jacobus (see Gallus Carniolus, Jacobus) | | | |
Caro, Francisco de more... | 23 Mar. 1898 Buenos Aires, Argentina | 31 Jul. 1976 Buenos Aires, Argentina | Argentinean composer and pianst |
Caro, Julio de more... | 11 Dec. 1899 Buenos Aires, Argentina | 11 Mar. 1980 Buenos Aires, Argentina | violinist, bandleader and composer |
Carolan, Turlough Ó [Toirdhealbhach Ó Cearbhalláin] more... | 1670 Nobber, Co. Meath, Ireland | 25 Mar. 1738 Alderford, Co. Roscommon, Ireland | Carolan's father moved to Alderford in Co. Roscommon, where he worked in some capacity or other for the family of Mac Dermott Roe. Mrs. Mac Dermott Roe seems to have taken a liking to the young Carolan and, when at the age of eighteen he was blinded by smallpox, she arranged for him to learn the harp from a harper of the Mac Dermott Roe family. She supported him until at the age of twenty one he set off on his career of itinerant harper. The harpers, most of whom like Carolan were blind, travelled the countryside on horseback guided by a helper. Everywhere they went they were received as honoured guests and were very hospitably treated in all the great and indeed not so great, houses. Carolan, although he was said to have been a somewhat indifferent harper having come to the instrument at too late an age, had an enormous reputation as a composer, and would therefore have been considered a cut above his fellow harpers. In musical terms Carolan is unusual, if not unique, in the three elements of influence which affect his music. These are (i) the music of the Irish harping tradition, whose roots descend to the depths of antiquity and which was to die out by the end of the eighteenth century, (ii) the traditional dance music and songs and, very importantly, (iii) the music of the great Italian composer of his day, Arcangelo Corelli. These three disparate strands coalesce in his music, producing a phenomenon unique in the history of Irish music. He fails to fall comfortably into any convenient musicological category and is therefore an enigmatic and most interesting musical figure. But this is no more a barrier to his success now than it has been at any time since his own day; and his music is perhaps more popular and more widely played today than ever before |
| Caroline, Mlle | | | opera performed in Paris in 1786 at the Theatre Beaujolais |
| Caroli, Angelo Antonio | 13 Jun. 1701 Bologna, Italy | 26 Jun. 1778 Bologna, Italy | Italian composer |
Caron, Firminus more... | fl. 1460-1475 | | a French composer, and probably singer, of the Renaissance. While highly successful as a composer and influential, especially on the development of imitative counterpoint, and while numerous compositions of his survive, he is almost unique in there being an almost complete absence of direct biographical information about him. Most of what is known about his life and career is inferred |
Caroso, Fabrizio (Marco) more... | 1535/1536 Sermoneta, Italy | 1605/1620 Italy | Italian Renaissance composer and choreographer. Besides miscellaneus instrumental music, he is remembered for Nobiltà di dame, a manual of courtly and social dance of the Renaissance [entry corrected by W. Pin] |
Caroubel, Pierre Francisque more... | | 1611 | French violinist and composer who collaborated with Michael Praetorius and is known for his dance music, bransles and galliards |
| Carpani, Giovanni Antonio | fl. 1660 | | Italian composer |
Carpenter, Gary more... | 1951 | | British composer, arranger and orchestrator |
Carpenter, John more... | 16 Jan. 1948 Carthage, New York, USA | | American director, writer, composer and producer |
Carpenter, John Alden more... | 1876 Park Ridge, Ill., USA | 1951 Chicago, USA | wealthy business man who wrote orchestral works (including two symphonies, the second based on Algerian tunes), and pieces for piano and for voice, including Adventures in a Perambulator (orchestral suite), Krazy Kat (a ballet) and Skyscrapers |
Carpentier, Joseph more... | fl. 18th century | | composer of Vingt et une variations des folies d'Espagne (c.1774) for voice and guitar |
Carpentier, Simon more... | | | musician and composer who has been working for film, television and publicity since 1987. He works with Zumanity a cabaret-style show from Cirque du Soleil that is resident at the New York-New York Hotel and Casino on Las Vegas Blvd. (The Strip) |
Carpentras, Elzear Genet more... | c.1470 Carpentras, France | 14 Jun. 1548 Avignon, France | a French composer of the Renaissance, he was famous during his lifetime, and was especially notable for his settings of the Lamentations which remained in the repertory of the Papal Choir throughout the 16th-century. In addition, he was probably the most prominent Avignon musician since the time of the ars subtilior at the end of the 14th-century |
Carpi, Fiorenzo more... | 19 Oct. 1918 Milan, Italy | 21 May 1997 Milan, Italy | Italian composer |
Carr, Benjamin more... | 12 Sep. 1768 London, England | 24 May 1831 Philadelphia, USA | English-born composer |
Carr, Edwin (James Nairn) more... | 10 Aug. 1926 Auckland, New Zealand | 27 Mar. 2003 Waiheke Island, New Zealand | New Zealand composer [date of death supplied by W. Pin] |
Carr, Frank Osmond more... | 1858 Bradford, England | 1916 Uxbridge, England | composer of successful light comedy operas |
Carr, Howard more... | 1880 Manchester, England | 1960 London, England | composer of light operas, orchestral music and songs |
Carrapatoso, Eurico more... | 1962 Mirandela, Portugal | | Eurico Carrapatoso graduated from the Faculdade de Letras da Universidade in Porto with a degree in history in 1985. In that same year, he began his musical studies with José Luís Borges Coelho. In 1987, he took the fugue examination under the supervision of Cândido Lima at the Conservatório de Música in Lisbon. In 1988, he began his composition studies at the Escola Superior de Música in Lisbon, where one of his teachers was Constança Capdeville. His final studies were with Jorge Peixinho from 1991-93 at the Conservatório de Música, where he graduated with the highest classification. He has taught composition (and also social and economic history) at several institutions, including the Escola de Música in Porto and the Escola Superior de Música in Lisbon. Since 1989, he has taught Analysis and Techniques of Musical Composition at the Academia de Amadores de Música and the Conservatório de Música, and since 1998, he has taught Analysis at the Academia Nacional Superior de Orquestra in Lisbon. His works have been performed by most major ensembles and orchestras in Portugal, and also by major orchestras in France and the USA. Among the conductors of his music are Stefan Asbury, Vasco Azevedo, Christopher Bochmann, Cesário Costa, Osvaldo Ferreira, Mark Foster, Teresita Gutierrez Marques, Paulo Lourenço, and John Pereira. Carrapatoso has won several awards, including the Cantonigròs Prize (Barcelona, 1995), the Lopes-Graça Prize from the city of Tomar (1998-99) and the Francisco de Lacerda Prize (1999); in addition, his works have represented Portugal twice at the UNESCO International Rostrum of Composers (1998-99). His Mentes, Peer! (incidental music for Henrik Ibsen’s play Peer Gynt) was premièred in February 2002, at the inauguration of the new Teatro Aberto in Lisbon. |
Carreira, António more... | c.1525 Portugal | 1592 Portugual | Portuguese organist and composer who was master of the royal chapel in Lisbon from 1564 |
Carreño, Maria Teresa more... | 22 Dec. 1853 Carácas, Venezuela | 12 Jun. 1917 New York, USA | four times married conductor and operatic soprano who studied with Gottschalk and Rubinstein; not the composer of the Venezuelan National Anthem |
Carrillo(-Trujillo), Julián (Antonio) more... | 28 Jan. 1875 San Luis Potosi, Mexico | 9 Sep. 1965 San Angél, Mexico | studied violin in Leipzig; developed a system of microtonal composition, invented instruments to play quarter-, eighth- and sixteenth-tones, and composed symphonies, operas, masses and chamber music, over 50 of which were for his invented instruments |
Carrion, Alonso de more... | | | troubadour and guitarist |
Carrodus, Tiplady more... | 1836 Keighley, Yorks, England | 1895 London, England | pupil of Molique; composed for his instrument, the violin |
Carroll, David more... | 15 Oct 1913 Chicago, Illinois, USA | | musical director of Mercury Records from 1951 to the early 1960s, during which time he accompanied many of the label’s contract singers as well as making some instrumental recordings of his own. Several of his LPs had a ‘dance’ theme, often including his own compositions, and he employed the cream of Chicago’s session musicians |
Carroll, Walter more... | 1869 Manchester, England | 1955 Manchester, England | church musician; composer of piano and violin music for children |
Carse, Adam (formerly, Adam von Ahn Carse) more... | 19 May 1878 Newcastle-upon-Tyne, England | 2 Nov. 1958 Great Missenden, Bucks, England | composer of orchestral, chamber and educational music |
Carste, Hans more... | 9 May 1919 Frankenthal, Germany | 5 Nov. 1971 Bad Wiessee, Germany | German composer and conductor |
Cart (Czarth, Zarth), Jiri (Geroge) more... | 1708 Vysoká, Czechoslovakia | 1778 Mannheim (?), Germany | Czech violinist and composer who served at the court of Berlin together with F.E.Bach and then as a violinist of the Mannheim orchestra |
Cartan, Jean more... | 1 Dec. 1960 Nancy, France | 25 Mar. 1932 France | French composer, son of the noted mathematician Elie Cartan and brother of Henri Paul Cartan, a founding member of Bourbaki group of French mathematicians |
Cartellieri, Antonio Casimir more... | 27 Sep. 1772 Danzig | 27 Sep. 1807 Liebshausen, Bavaria | Bohemian composer who studied with Albrechtsberger and was a favourite of Prince Joseph von Lobkowitz, who went out of his way to secure Cartellieri's services after hearing his C-minor Symphony in Vienna |
Carter, Alvin Pleasant (Delaney) more... | 5 Apr. 1891 Maces Spring, Virginia, USA | 7 Nov. 1960 Kentucky, USA | American Country music musician and founding member of the well known Carter Family group |
Carter, Andrew more... | 1939 Leicester, England | | English choral director and composer |
Carter, Benny more... | 8 Aug. 1907 Harlem, New York, USA | 12 Jul. 2003 Los Angeles, California, USA | American jazz alto saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader |
Carter, Betty (born: Lillie Mae Jones) more... | 16 May 1929 Flint, Michigan, USA | 26 Sep. 1998 USA | American jazz singer who was renowned for her improvisational technique and idiosyncratic vocal style. |
| Carter, Charles Thomas | c. 1735 Dublin, Ireland | 12 Oct. 1804 London, England | a considerable degree of confusion exists about the biographical details of this composer. There were several musicians and composers with the Carter surname in Dublin during the 2nd half of the 18th century, in particular two composers: Thomas Carter and Charles Thomas Carter. The confusion is intensified by the fact that the latter was, it seems, known also as Thomas or Tom and that both men ended up in London! There are some anthems by T. Carter in the choir library of Christ Church Cathedral, Dublin. Charles Thomas Carter was a boy chorister in Christ Church Cathedral. He became organist of St. Werburgh's Church in Dublin around 1751 and moved to London in the early 1770s. In London he established a name as a composer: a huge amount of music by Thomas Carter or Charles Thomas Carter was published in London at the end of the eighteenth century including chamber music, vocal music, and music for solo harpsichord, piano, and organ. John O'Keefe writing in his Recollections said of Carter that “any music he had never seen before, placed before him, upside down, he could play it off on the harpsichord!” [date of death corrected by W. Pin] |
| Carter, Elizabeth | 1717 | 1806 | composer |
Carter, Elliott (Cook) jnr. more... | 11 Dec. 1908 New York, USA | | studied with Piston and Nadia Boulanger; composer of a wide range of music including operas (one was performed in Osnabrück, Germany, in 1927), ballets and choral and chamber works |
Carter, Ernest Trow more... | 1866 Orange, N.J., USA | 1953 Stamford, Conn., USA | professionally a lawyer, piano pupil of William Mason and studied composition in Germany; composed operas, ballets and orchestral works |
| Carter, John | 1932 St. Louis, Missouri, USA | possibly c. 1981 | Carter served as composer-in-residence with the National Symphony Orchestra (Washington, DC) in 1968 and was an instructor at Federal City College, Washington, in the 1970s |
Carter, Regina more... | 1962 Detroit, USA | | American jazz violinist and composer. A cousin of jazz saxophonist James Carter, Regina Carter took a double major in classical music and African American music at both the prestigious New England Conservatory of Music and Oakland University in Michigan, where she earned a Bachelor of Arts degree in performance |
Carter, Ron more... | 4 May 1937 Ferndale, Michigan, USA | | American jazz double-bassist |
| Carter, Sydney Bertram | 6 May 1915 London, England | 13 March 2004 | songwriter, poet and singer, best known for his popular hymn 'The Lord of The Dance' |
Carthy, Eliza (Amy Forbes) more... | 23 Aug. 1975 Scarborough, England | | folk violinist and composer, daughter of Martin Carthy |
Carthy, Martin more... | 1941 Hertfordshire, England | | folk musician and composer |
| Cartier, Jean-Baptiste | 28 May 1765 Avignon, France | 1841 Paris, France | French composer |
Carulli, Ferdinando Maria Meinrado Francesco Pascale Rosario more... | 10 Feb. 1770 Naples, Italy | 17 Feb. 1841 Paris, France | one of the most famous composers for classical guitar and the author of the first complete classical guitar method, which continues to be used today. He wrote a variety of works for classical guitar, including concertos and chamber works. He was an extremely prolific writer for guitar, writing over 400 works for the instrument in the space of 12 years |
| Caruso (or Carusio), Luigi [Lodovico] | 25 Sep. 1754 Naples, Italy | 1822 Perugia, Italy | Italian composer |
Carvalhinho, Miguel more... | | | Portuguese classical guitarist and composer |
| Carvalho, Eleazar de | 28 Jul. 1912 Iguatú | | Brazilian composer |
Carvalho, João de Sousa more... | 22 Feb. 1745 Estremoz | 1798 Alentejo | Portuguese composer |
| Carvalho, Léon (see Miolan-Carvalho) | | | |
Carver, Robert more... | c.1485 Scotland | c.1570 Scotland | a Scottish Renaissance monk and composer of Christian sacred music who spent much of his life at Scone Abbey in Perthshire |
Carwithen, Doreen Mary more... | 15 Nov. 1922 Haddenham, Bucks, UK | 5 Jan. 2003 Forncett St. Peter, Norfolk, UK | British composer of classical and film music. She was also known as Mary Alwyn |
Cary, Francis Clive Savill more... | 1883 Sible Hedingham | 1968 | composer of incidental music for plays and active in the folk song movement |
Cary (Carey), Henry more... | c.1688 | 1743 London, England | poet, playwright and composer of stage pieces, cantatas and songs; sometimes, mistakenly, believed to be the composer of God Save the Queen |
Cary, Tristram Ogilvie more... | 14 May 1925 Oxford, England | 24 Apr. 2008 Adelaide, South Australia | composer of film and television scores and electronic music on tape, including Birth is Life is Power is Death is God is |
Caryll, Yvan (Ivan) (real name: Félix Tilkin) more... | 12 May 1861 Liège, Belgium | 29 Nov. 1921 New York, USA | composer of many musical comedies |
Casa, Girolamo dalla more... | | d. 1601 | an Italian composer, instrumentalist, and writer of the late Renaissance. He was a member of the Venetian School, and was perhaps more famous and influential as a performer than as a composer. Two books of madrigals and one book of motets survive from his compositional output, which probably was not large. More important to musicology, however, was his two-part 1584 treatise on ornamentation (Il vero modo di diminuir), which gives clear and precise examples of ornamentation as it was practiced in singing and playing motets and madrigals at the time. From this treatise it is clear that polyphonic works were usually performed unadorned, but works in a more homophonic style, and especially grand polychoral works with frequent sectional changes and prominent cadences, were embellished with ornaments, few of which appear in the actual notated music |
Casablancas, Benet more... | 1956 | | Spanish composer |
| Casabona, Francisco | 16 Oct. 1894 São Paolo, Brazil | | Brazilian-born composer |
Casadesus, Francis [François] (Louis) more... | 2 Dec. 1870 Paris, France | 27 Jun. 1954 Paris, France | composer of operas and orchestral music |
Casadesus, Robert Guillaume more... | 1878 Paris, France | 1940 | brother of above; pianist and composer |
Casadesus, (Henri) Gustav more... | 1879 Paris, France | 1947 | viola player; composer of light operas and ballets |
Casadesus, Marius Robert Max more... | 1892 Paris, France | | son of Francis Louis; violinist who composed operas and chamber music |
Casadesus, Robert Marcel more... | 1899 Paris, France | 1972 | son of Robert Guillaume; Robert Marcel formed a successful two-piano team with his wife Gaby and composed concertos for piano, violin and other works for orchestra and piano |
Casale, Emanuele more... | 14 Oct. 1974 Catania, Italy | | Italian composer |
Casals i Defilló, Pau Carles Salvador (known as Pablo Casals) more... | 1876 Ventdrell, Catalonia, Spain | | virtuoso Catalan Spanish cellist and composer (and later conductor). He made many recordings throughout his career, of solo, chamber, and orchestral music, also as conductor, but Casals is best remembered for the recording of Bach's Cello Suites he made from 1936 to 1939 |
| Casamorata, Luigi Fernando | 15 May 1807 Würzburg, Germany | 24 Sep. 1881 Florence, Italy | German-born composer |
Casanova, André more... | 12 Oct. 1919 France | | trained as a lawyer; works include a violin concerto, a work for xylophone, kettledrums and strings and La Clé d'argent) for soprano, tenor, baritone and orchestra |
Casanovas, padre Narciso more... | 1747 | 1794 | Spanish composer |
| Casavola, Franco | 13 Jul. 1891 Modugno, Bari | 7 Jul. 1955 Bari, Italy | Italian composer |
Casazola, Matilde more... | 1942 Bolivia | | Bolivian songwriter |
Cascante, Jose more... | | 1702 | Colombian composer |
Cascia, Donato da more... | fl. 1350-70 | | Italian composer of the trecento. All of his surviving music is secular, and the largest single source is the Squarcialupi Codex. He was probably also a priest, and the picture that survives of him in the Squarciulupi Codex shows him in the robes of the Benedictine order |
Cascia, Giovanni da more... | c.1270 Cascia, Umbria, Italy | c.1351 Italy | also known as Johannes de Florentia or Cascia, de, documentation pertaining to Giovanni da Cascia's life are scant. He lived and worked in Padua, then Verona and Milan, probably in the 1330s and 1340s. Giovanni's music does survive, however, in major sources from both Florence and the north (including the earliest source of Italian music from Padua); one large Florentine manuscript contains his portrait. In addition, literary evidence for Giovanni's fame abounds: chroniclers Villani and Franco Sacchetti both mention him, and Prudenzani proves his music was still in circulation some 70 years after his death. Villani even provides one intriguing anecdote about his life. Apparently when Jacopo da Bologna, Maestro Piero, and Giovanni da Cascia were all working together for the della Scala court in Verona, the trio competed in a mini-cycle of madrigals that refes to a mysterious and praiseworthy "Anna"; she later becomes a viperous menace to her admirers, but she gets the last word in Giovanni's final contribution to the madrigal group |
Casella, Alfredo more... | 25 Jul. 1883 Turin, Italy | 5 Mar. 1947 Rome, Italy | studied under Fauré anti-romantic and Italian nationalist who music eschewed 'vocal melodramatic melody' and included an oratorio The Desert Challenged, idealizing Mussolini's Ethiopian campaign |
Casella, Enrique Mario more... | 1 Aug. 1891 Montevideo, Uruguay | 10 Dec. 1948 Tucumán, Argentina | Argentinean composer |
Caserta, Antonello (Antonellus) da more... | fl. 14th-15th centuries | | Italian composer, born at Caserta, near Naples. His work is found in the Codex Chantilly and the Reina MS. He set French texts in preference to his native Italian ones, but though some of his music makes use of the 'mannered' style, other pieces are simpler in idiom |
Caserta, Philippus de (also Philipoctus, Filippo, Philippot, Philippottus) more... | c.1360 | c.1435 | Italian composer and theorist. Originally from Caserta, near Naples, he was in Avignon in the 1380s but worked in Italy. He may be the 'Philippot' who was at the Aragon court in 1420. His six pieces to French texts in the Chantilly MS show that, though an Italian, he had absorbed the essentials of the late fourteenth French school; his cacce and ballate are simpler and more characteristically Italian |
Casey, Kenneth more... | 10 Jan. 1899 New York, USA | 10 Aug. 1965 Cornwall, New York, USA | American composer, publisher, author and child actor |
Cashian, Philip more... | 1963 Manchester, England | | British composer |
| Casimiri, Raffaele (Casimiro) | 3 Nov. 1880 Gualdo Tadina, nr. Perugia | 15 Apr. 1943 Rome, Italy | Italian composer |
| Casimiro Júnior [Casimiro da Silva], Joaquim | 30 May 1808 Lisbon, Portugal | 28 Dec. 1862 Lisbon, Portugal | Portuguese composer |
Casken, John (Arthur) more... | 15 Jul. 1949 Barnsley, England | | English composer |
Cass, Ronald (Ronnie) more... | 21 Apr. 1923 Llanelli, Wales | 2 Jun. 2006 London, England | composer of musicals and the film music for three Cliff Richard movies, The Young Ones (1962), Summer Holiday (1963) and Wonderful Life (1964) |
Cassadó, Gaspar more... | 1897 Barcelona, Spain | 1966 Madrid, Spain | 'cellist, pupil of Casals, made his New York debut in 1936. He composed many works for the cello which are still performed today |
| Cassadó (Valls), Joaquín | 30 Sep. 1867 Mataró, Barcelona, Spain | 25 Mar. 1926 Barcelona, Spain | Spanish composer |
| Casselli, Angelica | | | operatic composer whose Christoforo Colombo was produced in Nice in 1865 at the Theatre Italien |
Cassidy, Patrick more... | 1956 Claremorris, Co. Mayo, Ireland | | Irish classical composer |
| Casson, Miss | fl. late 18th century England | | composer of songs |
Cassuto, Alvaro (Leon) more... | 17 Nov. 1938 Oporto, Portugal | | conductor and composer; whose works include Canticum in tenebris for soloists, chorus and orchestra |
Castagnoli, Giulio more... | 22 Nov. 1958 Rome, Italy | | Italian copmposer |
| Castaldi, Alfonso | 23 Apr. 1874 Maddalone, Italy | 6 Aug. 1942 Bucharest, Romania | Italian-born composer |
Castaldi, Bellerofonte more... | 1580 | 1649 | Italian composer and one of Seicento Italy's most intriguing public figures. Bellerofonte Castaldi was as well known for his sensational adventures, controversial poetry, and stinging satires as for his impressive musical activities as a theorbo virtuoso and composer of monody. His volume of sophisticated music for theorbo, Capricci a due stromenti (1622), is fashioned to display his wide-ranging talents as a composer, graphic artist and poet |
Castel, José more... | fl. 1770 | | Spanish composer |
| Castel, Robert de | fl. second half 13th century | | Flemish trouvère |
Castellanos, Tania more... | | | Cuban activist, steel-worker and composer |
Castello, Dario more... | c.1590 Italy | c.1630 Italy | an Italian composer and instrumentalist from the early Baroque period, who worked and published in Venice. He was a late member of the Venetian School, and played a part in the early transformation of the instrumental canzona into the sonata |
| Castelloza, Dame | fl. 13th century Auvergne, France | | Castelloza was a noblewoman and wife to Turc de Mairona. The subject of her poems is courtly love. Three of her poems are extant, but no music survives |
| Castelnau, Alamanda | 1160 | 1223 | trobairitz |
| Castelnau (de), Almucs | c.1140 | | a trobairitz who has been identified as being Almoïs, the wife of Guigue de Châteauneuf-de-Randon, the Count of Castelnau, who became the mother of Guillaume de Châteauneuf in 1219. Sje is associated with another trobairitz, Iseut de Capio, and the duet Domna n’almucs, si-us plages |
Castelnuovo-Tedesco, Mario more... | 3 Apr. 1895 Florence, Italy/td> | 15/16 Mar. 1968 Hollywood, CA, USA | pupil of Pizzetti, who settled in America after his being a Jew banned him from Italian cultural life; composer of delicate refinement whose works include 2 violin concertos, a guitar concerto, choral music, piano pieces, songs, operas and songs for the synagogue |
Castelo, Custódio more... | 23 Dec. 1966 Almeirim, Portugual | | Portuguese guitarist, composer and producer |
| Castéra, René d'Avezac | 3 Apr. 1873 Dax, Landes, France | 17 Jul. 1932 Milan, Italy | French-born composer |
Castérède, Jacques more... | 10 Apr. 1926 Paris, France | | French composer |
Castiglioni, Niccolò ( more... | 17 Jul. 1932 Milan, Italy | | worked mainly in the United States; compositions include a Symphony in C with a choral text drawn from Jonson, Dante, Shakespeare and Keats |
Castil-Blaze, Francois Henri Joseph more... | 1 Dec. 1784 Cavaillon, France | 11 Dec. 1857 Paris, France | French critic, librettist and composer |
| Castille, Blanche de | 1188 | 1252 | Queen Blanche of Castile, Queen of France, composer |
| Castilleja, Pedro Fernandez de | | 1547 | nearly all his works have been lost though his status may be guessed from the fact that Guerrero named him 'Master of Masters' |
Castillo, Graciela more... | 1940 Córdoba, Argentina | | Argentinean composer, among the small group of composers that created the Experimental Music Centre (Centro de Música Experimental) at the National University of Córdoba, Argentina during the mid 1960s. She is at present Professor of Composition and Music Analysis at the same University |
| Castillo, Jesús | 9 Oct. 1877 San Juan Ostuncalco, Guatemala | 23 Apr. 1946 Quetzaltenango | Guatemalan composer |
Castillo, Manuel more... | 1930 | 2005 | Spanish composer |
Castillon de Saint-Victor, Marie-Alexis more... | 1838 | 5 Mar 1853 | French composer who died tragically in the early years of his career. His memory was held dear by a generation of young French composers, from Saint-Saëns and Fauré to Debussy and Ravel, who remembered him as a founding member of the new French school and the first composer of his generation to devote himself almost exclusively to writing chamber music |
Castro, Francisco José de more... | fl. late 17th & early 18th century | | Spanish composer |
Castro, Henricus de Libero (possibly Laufenberg [Loufenberg], Heinrich) more... | c.1390 Freiburg (?), Germany | 31 Mar. 1460 Strasbourg | German-Swiss poet and musician. It does not seem out of the question that Heinrich Laufenberg and Henricus de Castro were the same man, but the issue remains unresolved |
Castro, Jean de more... | c.1540 | c.1600 | Castro was of the last generation of great Renaissance polyphonists, and has a career outline closely resembling Lassus'. He was probably the second most prominent polyphonist from the Low Countries, former headquarters of European polyphonic development, after Lassus. Later, political problems forced him to leave and take up posts in France and then Germany |
Castro, Juan José more... | 7 Mar. 1895 Avellaneda, Buenos Aires | 5 Sep. 1968 Buenos Aires | pupil of Vincent d'Indy; works include an opera in Spanish Proserpina and the Stranger and a piano concerto |
| Castro de Gistau, Salvador (see Gistau, Salvador Castro de) | | | |
| Castro Herrera, Ricardo | 7 Feb. 1864 Durango | 28 Nov. 1907 México | Mexican composer |
Castro Robinson, Eve de more... | 1956 | | New Zealand composer |
| Castrovillari, Daniele da [di] | fl. 1660-61 | | Italian composer |
Castrucci, Pietro more... | 1679 Rome, Italy | 7 Mar. 1752 Dublin, Ireland | Italian violinist, conductor, and composer |
| Casulana (de Merarii), Maddalena | c. 1540 Brescia/Casola d’Elsa (Casula) | c.1590 Siena, Italy | the first woman to consider herself a professional composer and to have three volumes of her madrigals published by to prominent Venetian printers. Her first book was published in 1568 and she dedicates “…to show the world … the futile error of men who believe themselves patrons of the high gifts of the intellect, which according to them cannot also be held in the same way by women” |
Catalani, Alfredo more... | 19 Jun. 1854 Lucca, Italy | 7 Aug. 1893 Milan, Italy | studied in Paris; composer of operas including La Wally, of a symphonic poem Hero and Leander and a mass |
| Catalani, Angelica B. | 1780 Italy | 1849 Italy | a dramatic soprano whose career lasted from 1795 to 1825. She later founded a school of singing. Her compositions for voice included the brilliant La Belle Molinara which was a favourite of singers of the day |
| Cate, Andreas Ten (see Ten Cate, Andreas) | | | |
Catel, Charles-Simon more... | 10 Jun. 1773 Laigle, Orne | 29 Nov. 1830 Paris, France | French composer |
| Catelani, Angelo | 30 Nov. 1811 Guastalla | 5 Sep. 1866 San Martino di Mugnano, Modena | Italian composer |
Catherine, Philip more... | 1942 London, UK | | Jazz musician and composer |
Catlett, Francisco Mora more... | | | Percussionist, composer, arranger, teacher and producer |
| Catley, Anne | 1745 | 1789 London | composer |
Cato, Diomedes more... | 1560/65 nr. Treviso, Italy | after 1618 probably Sweden | an Italian-born composer and lute player, who lived and worked entirely in Poland. He is known mainly for his instrumental music. He mixed the style of the late Renaissance with the emerging Baroque, and also Italian idioms with Polish folk material; and in addition he was one of the first native-born Italian composers to visit Sweden |
Catoire (or Katuar), Georgy (Lvovich) more... | 27 Apr. 1861 Moscow, Russia | 21 May 1926 Moscow, Russia | Russian musical theorist and composer of French heritage who was a pupil of Liadof. His compositions include orchestral and piano music and some songs |
| Catrufo, Gioseffo [Giuseppe] | 19 Apr. 1771 Naples, Italy | 19 Aug. 1851 London, England | Italian-born composer |
| Cattani, Lorenzo | before 1681 Massa Carrara | 1713 Pisa, Italy | Italian composer |
Cattelani, Ferruccio more... | 28 Mar. 1867 Palma, Italy | 16 Apr. 1932 Milan | Italian composer |
| Catunda, Eunice | 4 Mar. 1915 Rio de Janeiro, Brazil | | Brazilian composer |
Caturla, Alejandro Garcia more... | 7 Mar. 1906 Remedios, Cuba | 12 Nov. 1940 Remedios | Cuban composer |
| Cauberghs, Louis | 1928 | | Belgian percussionist and composer |
| Caudella, Eduard | 3 Jun. 1841 Iasi | 15 Apr. 1924 Iasy | Romanian composer |
Caurroy, François Eustace du more... | bap. 4 Feb. 1549 Beauvais, France | 7 Aug. 1609 Paris, France | was born in Gerberoy, a French composer of the late Renaissance. He was a prominent composer of both secular and sacred music at the end of the Renaissance, including musique mesurée, and he was also influential on the foundation of the French school of organ music as exemplified in the work of Jean Titelouze |
Causton, Richard more... | 1971 London, UK | | English composer |
Caustun, Thomas (also Causton, Cawston) more... | early 16th century | 1569 London, England | composer of church music |
| Cauter, Jean van de | 1 Aug. 1906 Nimy, nr. Mons, Belgium | 27 Jul. 1979 Charleroi, Belgium | composer, organist and organiser |
Cauter, Koen (or Coen) de more... | mid 20th century West-Vlaming, Belgium | | Belgian jazz guitarist and composer |
Cavalieri, Emilio de' more... | c.1550 | 11 Mar. 1602 Rome, Italy | Italian composer, producer, organist, diplomat, choreographer and dancer at the end of the Renaissance era. His work, along with that of other composers active in Rome, Florence and Venice, was critical in defining the beginning of the musical Baroque era. He was an influential early composer of monody, and wrote what is usually considered to be the first oratorio. He is considered the composer of the first oratorio (really a 'morality play' set to music) entitled The Representation of Soul and Body, and an early exponent of figured bass |
Cavalli [Caletti, Bruni], Pier [Pietro] Francesco more... | 14 Feb. 1602 Crema, Lombardy, Italy | 14 Jan. 1676 Venice, Italy | organist and singer; composer of more than 40 operas, including Ormindo, Callisto, Eritrea and Erismena and church music |
Cavallini, Ernesto more... | 1807 | 1874 | Italian composer and legendary clarinetist who studied at the Milan Conservatory and played in the orchestra of La Scala from 1831-1851 |
Cavazzoni, Girolamo (Hieronimo d'Urbino) more... | c.1525 Italy | c.1577 | son of the following; composer of keyboard music |
Cavazzoni, Marco Antonio more... | c.1490 Italy | c.1570 | singer and organist, the latter in the service of Pope Leo X; composer of works for keyboard |
Cavendish, Michael more... | c.1565 England | 1628 | composer of lute songs, psalms and madrigals, a contributor to the collection entitled The Triumphs of Oriana |
| Cavos, Catterino | 30 Oct. 1775 Venice, Italy | 10 May 1840 St. Peterburg, Russia | Italian-born composer |
Caymmi, Dorival more... | 30 Apr. 1914 Salvador, Bahia, Brazil | 16 Aug. 2008 Rio de Janeiro, Brazil | one of the most important songwriters in Brazilian popular music |
| Cazden, Norman | 23 Sep. 1914 New York, USA | 18 Aug. 1980 Bangor, Me., USA | American composer |
Cazzati, Maurizio more... | c.1620 Lucera, nr. Reggio Emilia | 1677 Mantua, Italy | Italian composer |
| Cearbhalláin, Toirdhealbhach Ó (see Carolan, Turlough Ó) | | | |
Ceccarelli, Luigi more... | 1953 Rimini, Italy | | Italian composer |
| Cecchini, Angelo | fl. 1635-1639 | | Italian composer |
Cecere, Carlo more... | 7 Nov. 1706 Naples, Italy | 15 Feb. 1761 Naples, Italy | Italian composer |
| Cechini, Tomaso | 1580 | 1644 | Italian-born composer, Cechini held the position of organist in the cathedral in Split and Hvar, on the island of Hvar, in Croatia |
| Celanský, Ludvik Vitezslav | 17 Jul. 1870 Vienna, Austria | 27 Oct. 1931 Prague | Austrian-born composer |
Celis, Frits more... | 11 Apr. 1929 Antwerp, Belgium | | Belgian conductor and composer of orchestral, chamber, choral, and vocal works |
| Cellier, Alexandre Eugène | 17 Jun. 1883 | 4 Mar. 1968 | French organist and composer, Cellier studied with Guilmant until 1908. He was the organist of the Temple d'Etoile in Paris |
Cellier, Alfred more... | 1 Dec 1844 London, England | 28 Dec 1891 London, England | organist and conductor; composer of light operas, the best known being Dorothy, as well as orchestral and choral works |
| Celoniati (or Celoniatti, Celoniat, Celonieti, Celonietto), Ignazio | before 1740 | 1784 Turin, Italy | Italian composer |
| Cenci, Giuseppino | fl. 16th century | | Roman singer and composer. His canzonetta, Fuggi, fuggi, fuggi da questo cielo, became very popular under the title, Ballo di Mantova. It probably originated in a sixteenth-century theatrical work performed at the ducal court in Mantua, because, soon after, the tune became the musical emblem of that city. There are hundreds of versions of the piece, which became so popular throughout Europe that it eventually entered the realm of folk music, wherein each country claimed it as its own. It survives today as the main theme of Vltava, the second symphonic poem in the Bohemian-born composer Bedrich Smetana’s nationalistic six-part cycle Má vlast, and also as the basis of the Israeli national anthem |
Cercamon more... | fl. c.1135-1145 | | whose real name, as well as any actual biographical datum, is unknown, was one of the earliest troubadours. He was apparently a jester of sorts, born in Gascony, who spent most of his career in the courts of William X of Aquitaine and perhaps of Eble III of Ventadorn. He was the inventor of the planh (the Provençal dirge), of the tenso (a sort of rhymed debate in which two poets write one stanza each) and perhaps of the sirventes |
| Ceremuga, Josef | 14 Jun. 1930 Ostrava-Kuncice | | Czech composer |
Cererols, Joan more... | 9 Sep. 1618 Martorell, Spain | 27 Aug. 1680 Montserrat, Spain | Catalan musician, composer and Benedictine monk |
Cerha, Friedrich Paul more... | 17 Feb. 1926 Austria | | violinist and conductor; compositions include Spiegel nos. 1-8 for orchestra with tape |
Cernitz, Ulrich more... | | 1654 Hamburg, Germany | German organist and composer |
Cernohorsky, Bohuslav Matej more... | christened 16 Feb. 1684 Nymburk, Bohemia | 1 Jul. 1742 Graz, Austria | Czech composer |
Cerny, Frantisek more... | 1861 | 1940 | Czech double bass player and composer |
Certon, Pierre more... | c.1510/20 probably Melun, France | 23 Feb. 1572 Paris, France | a French composer of the Renaissance. He was a representative of the generation after Josquin and Mouton, and was influential in the late development of the French chanson |
Ceruti, Roque more... | c.1683 Milan, Italy | 3 Dec. 1760 Lima | Italian-born composer |
Cervantes (Kawanag), Ignacio more... | 31 Jul. 1847 Havana, Cuba | 29 Apr. 1905 Havana, Cuba | Cuban composer |
Cervellini, Giovanni more... | 18th century | | Venetian organist and composer |
Cervelló, Jordi more... | Oct. 1935 Barcelona, Spain | | Spanish composer |
Cerveri de Girona (born Cervera, Guillem de) more... | fl 1259-1285 | | Catalan troubadour who was the most prolific troubadour, leaving behind some 114 lyric poems among other works, including an ensenhamen of proverbs for his son, totaling about 130. He was a court poet to James the Conqueror and Peter the Great. He wrote pastorelas and sirventes and his overriding concern was the complexities of court life. None of his music survives |
| Cervetto, Giacobbe (Giacomo) Basevi | 1682 Italy | 1783 England | London-based cellist and composer, father of James Cervetto |
Cervetto, James more... | 8 Jan. 1748 London, England | 5 Feb. 1837 London, England | English cellist and composer, son of Giacobbe Basevi Cervetto and Elizabeth Cervetto |
Cesare, Giovanni Martino more... | c. 1590 Udine, Italy | 6 Feb. 1667 Munich, Germany | Italian composer, trombonist and cornett player |
| Cesarini, Carlo Francesco (Carlo del Violino) | c.1664 Rome, Italy | c.1730 Rome, Italy | Italian composer |
Cesarini, Franco more... | 18 Apr. 1961 Bellinzona, Tessin, Switzerland | | Swiss composer, director and musician |
Cesaris, Johannes more... | fl. 1406-1417 | | French composer of the late Medieval era and early Renaissance who was active in Bourges. He was one of the composers of the transitional style between the two epochs, and was active at the Burgundian court in the early 15th century |
Cesena, Giovanni Battista Biondi detto more... | fl. 1598-1609 | | Italian composer and organist |
| Cesis, Sulpitia (Sulpiza) | 1577 | | nun, lutenist and composer, her only known works are an important collection of motets for 2-12 voices published in Modena, 1619 |
| Cestana, Sig. | fl. 18th century | | there is no available information on his life. However, a concerto for harpsichord and orchestra (harpsichord part only extant) by a certain Sig. Cestana has been found in a manuscript from the library of the Conservatory of Brescia |
Cesti, Antonio [Pietro] more... | bap. 5 Aug. 1623 Arezzo, Italy | 14 Oct. 1669 Venice, Italy | known today primarily as an Italian composer of the Baroque era, he was also a singer (tenor), and organist. He was "the most celebrated Italian musician of his generation" |
| Cesti, Remigio | c.1635 Arezzo, Italy | 1710/1717 Florence, Italy | Italian composer |
Cetiz, Mahir more... | 1977 Ankara, Turkey | | Turkish pianist and composer |
Ceuleers, Willem more... | 1963 | | Belgian composer |
| Cezar, Corneliu | 22 Dec. 1937 Bucharest, Romania | | Romanian composer |
Chabrier, (Alexis-)Emmanuel more... | 18 Jan. 1841 Ambert, Puy-de-Dôme, France | 13 Sep. 1894 Paris, France | civil servant based in Paris, also pianist who in laer life suffered severe mental illness; composer of many popular works including España and an opera Le Roi malgré lui |
Chailly, Luciano more... | 1920 Italy | | pupil of Hindemith; composer of chamber works, works for piano and a number of operas including The Proposal and Procedura penale |
Chadwick, George Whitefield more... | 13 Nov. 1854 Lowell, Mass., USA | 4 Apr. 1931 Boston, Mass. USA | studied in Germany; composed 3 symphonies, 5 string quartets and numerous other works and is seen as the founder of an American school of composition |
Chagas, Paulo more... | 31 Aug. 1953 Salvador, Bahía, Brazil | | Brazilian-born Belgian-German composer, now resident in the USA |
Chagrin, Francis (né Alexander Paucker)) more... | 1905 Bucharest, Romania | 1972 England | Romanian-born composer |
| Chaikovsky, Boris (Alexandrovich) | 10 Sep. 1925 Moscow, Russia | | Russian composer |
| Chaikovsky, Pyotr Il'yich (see Tchaikovsky, Pyotr (Peter) Ilyich) | | | |
| Chailley, Jacques | 24 Mar. 1910 Paris, France | | French composer |
| Chailly, Luciano | 19 Jan. 1920 Ferrara, Italy | | Italian composer |
| Chaistaignerais (de la), Mme | | | composer who was published in Paris in 1699 |
| Chalayev, Shirvani | 16 Nov. 1936 Khosrekh, Dagestan | | Russian composer |
Chalhoub, Claude more... | 1974 Lebanon | | Lebanese violinist and composer |
Chalmel, Gaston more... | 20th century | | French composer, arranger and musical director of the brass ensemble Le Débuché de Paris which was established in Paris in 1927 |
Chaloff, Serge more... | 24 Nov. 1923 Boston, MA, USA | 16 Jul. 1957 | American jazz baritone saxophonist |
| Chamatero di Negri, Ippolito | fl. late 16th/early 17th centuries | | Italian composer |
Chambers, Paul more... | | | composer for film and television |
Chambonnières, Jacques Champion de more... | 1602 | c.1672 Paris, France | like his father, court harpsichordist to French kings (in his father's case, Louis XIII, in his, Louis XIV who enobled him); he was an important composer for the har |