dolmetsch onlinerecorder accessories
 


topics on this page :: cases & accessories :: recorder stand :: ivorine mounts :: end pins :: keys :: key prices :: keys for disability


Recorder servicing

Information/Prices - recorder servicing

Cases

Dolmetsch Satinwood Treble in deluxe case

CodeDescriptionex. VAT
from 1 Jan. 2008
inc. VAT
from 1 Jan. 2008
2408Sopranino Recorder Deluxe Case
2417Descant/Soprano Recorder Soft Case
2418Descant/Soprano Recorder Deluxe Case
2427Treble/Alto Recorder Soft Case
2428Treble/Alto Recorder Deluxe Case
2436Tenor Recorder Soft Wallet
2437Tenor Recorder Soft Case
2438Tenor Recorder Deluxe Case
2448Bass Recorder Deluxe Case
2462Descant & Treble Recorder Duo Deluxe Case
2463Sopranino, Descant & Treble Recorder Trio Deluxe Case
2464Sopranino to Tenor Recorder Quartet Deluxe Case
Prices do not include postage or packing
Mioplant Currency Converter - download this desktop utility to find out prices in your own currency!

Millennium case prices are to be found on the Millennium Great Bass Recorder page.


Recorder stand

  • Make Your Own Recorder Stand
  • Recorder Stands available from Claire Freestone


    Accessories

    CodeDescriptionex. VAT
    from 1 Jan. 2008
    inc. VAT
    from 1 Jan. 2008
    2511Descant/Soprano Recorder Cleaning Stick
    2411Descant/Soprano Recorder Cleaning Mop
    2521Treble/Alto Recorder Cleaning Stick
    2421Treble/Alto Recorder Cleaning Mop
    2422Treble/Tenor Recorder Brass Thumbrest
    2531Tenor Recorder Cleaning Stick
    2431Tenor Recorder Cleaning Mop
    2441Bass Recorder Cleaning Mop
    2442Bass Recorder Brass Thumbrest
    2445Bass Recorder Sling
    2470Joint Grease
    Prices do not include postage or packing
    Mioplant Currency Converter - download this desktop utility to find out prices in your own currency!


    Ivorine mounts

    Ivorine is a synthetic non-animal sourced resin with a grain-like structure that successfully mimics the look of genuine ivory which Dolmetsch no longer uses. Ivorine can be applied to a recorder either during manufacture or retrospectively. The addition of ivorine mounts has no effect on the performance of the recorder and, unlike ivory, adds virtually no extra weight. We use a similar material to bush thumbholes on new recorders and also on instruments where the thumbhole has become worn through use. We can bush recorders of any manufacture.

    We purchase our raw material from:

     G.P.S. Agencies
     Units 3 & 3A
     Hambrook Business Centre
     Cheesmans Lane
     Hambrook
     Chichester
     West Sussex
     PO18 8XP
     tel: 01243-574444
     fax: 01243-574313

     Mouthpiece SleeveTwo Socket RingsBell Base Sleeve
    % added to instrument priceadd 25%add 40%add 20%


    End pins

    Large recorders are heavy and even when slung from a neck-strap can prove a strain on the player's back and neck. An excellent alternative is to keep the instrument off the floor on an end-pin. You can then discard the neck-strap.

    Dolmetsch supplies adjustable brass end-pins for bass and great bass recorders which screw into a specially made location point fitted discretely into the bottom of the bell of the recorder. They do not interfere with the sound or tuning in any way. They are adjustable and have a non-slip foot. They can be fitted to any make of bass, great bass or contra bass recorder.

    Please note that the Dolmetsch Millennium Series which has a square cross-section does not require this accessory as all the models are built to be floor-standing or are supplied with their own end-pin.

    Dolmetsch adjustable endpins are available only on special order.


    Keys

    Special keys

    Dr. Carl Dolmetsch invented a number of devices to increase the dynamic possibilities and the range of the recorder. Two of them are still manufactured by Dolmetsch. The third, the tone projector, is no longer manufactured.

  • The lip key when operated slightly sharpens the recorder letting you play more quietly without going flat.

    lip key

  • convenient and reliable, every time
  • increases recorder's dynamic range
  • may be fitted retrospectively to any make
  • treble lip key shown on left
  • A small hole is drilled behind the window of the recorder and sleeved with ivorine. The ivorine protrudes slightly into the head to prevent 'flooding' during use. When the key is opened (operated by the lower lip or chin) the recorder plays sharp. The player can then drop his pressure to correct this and so play more quietly without playing flat. This effect is particularly effective in large concert halls and recording studios.

  • The bell key provides an easy way of closing the bell providing a secure high F# on the treble (C# on descant and tenor recorder) and a number of additional higher notes, alternative and special trill fingerings.

    bell key

  • convenient and reliable, every time
  • high F# and G# on sopranino and treble/alto
  • high C# and D# on descant/soprano and tenor
  • guarantees a chromatic range of two octaves and a fifth
  • may be fitted retrospectively to any make of recorder
  • treble/alto bell key shown on left
  • A number of modern works for recorder, in particular many of those written for Dr. Dolmetsch himself, assumed the recorder was fitted with this key. Where the player wants the freedom to play a recorder without a bell-key when this is not required we can provide a 'second' foot or bell section fitted with this key leaving the first foot or bell section un-keyed.

    Main body keys

    Dolmetsch also provides a range of additional keys for increased player comfort including bottom double keys and additional single or double keys for other holes on the recorder; for example holes three and four on treble, tenor and bass recorders (some makers call these 'mid-section' keys). All these keys can be applied retrospectively to any make of wooden recorder of any age.

    double key

  • convenient and reliable, every time
  • secure F/F# on treble or C/C# on descant and tenor
  • may be fitted retrospectively to any make
  • tenor double key shown on left
  • Not only can it be difficult to reach the bottom double holes on treble and tenor recorders but with some makes it can be difficult to control 'heavy' oversprung keywork. Dolmetsch has designed a light but silent 'up-and-over' system where both keys lie over a large single hole. This design means that we can convert tenors fitted with a single F key to an instrument with both an F and an F# using this particular design. We are also able to carry out the same conversion on any instrument fitted with a pair of small double holes.


    Key prices

    CodeDescriptionex. VAT
    from 1 Jan. 2008
    inc. VAT
    from 1 Jan. 2008
    2320Descant Recorder Lip Key
    2321Descant Recorder Bell Key
    2330Treble Recorder Lip Key
    2331Treble Recorder Bell Key
    2332Treble Recorder Double Key (F/F#)
    2333Treble Single Key for holes 3 or 4
    2340Tenor Recorder Lip Key
    2341Tenor Recorder Bell Key
    2342Tenor Recorder Double Key (F/F#)
    2343Tenor Single Key for holes 3 or 4
    2352Bass Recorder Double Key (F/F#)
    2353Bass Single Key for holes 3 or 4
    Prices do not include postage or packing
    Mioplant Currency Converter - download this desktop utility to find out prices in your own currency!


  • Keys for disability

    Dolmetsch makes descant/soprano and treble/alto recorders for those who can use only one hand either through unavailability, incompleteness, loss or loss of use.

    Please follow this link to read more about these remarkable instruments

    One Handed Pearwood Descant


    Tone projector

     

    Imagine a wheelbarrow without its subframe, wheel or handles and with its base removed. Cut a pair of arcs from the bottom of the north and south faces of this device so that when placed on the recorder, secured by an elastic band running around the back of the head section attached to two protruding pins placed one on the east, the other on the west face, it fits snuggly like a rectangular megaphone over the recorder's window. The effect is to slightly flatten the pitch of the recorder and to concentrate the sound energy radiating from the window. These two properties of the device allow the player to blow more strongly, without compromising the pitch, so giving the impression that the recorder tone is stronger than it might otherwise seem.

    The tone projector was invented and so named by Dr. Carl Dolmetsch and was manufactured by the Dolmetsch company until the 1970s, in wood and later in plastic (for descant/soprano and treble/alto). With the advent of small microphones, that can be attached to the instrument itself, the tone projector is now seldom used. For this reason, the Dolmetsch company no longer manufactures nor supplies this intriguing product.